Stereoscopic Still Images

Adams, Gavin (2015) ‘Duchamp’s Erotic Stereoscopic Exercises’. Anais do Museu Paulista: História e Cultura Material, 23:2, pp.165-185. http://dx.doi.org/10.1590/1982-02672015v23n0206

Alexiou, Artemis (2019 ) ‘Women’s Views: The Narrative Stereograph in Nineteenth Century America written by Melody Davis [Book Review]’, Visual Studies, https://doi.org/10.1080/1472586X.2019.1655297

Amad, Paula (2010) ‘World souvenir: “Mr. K.” and the Archives de la Planete’ in Counter-archive: film, the everyday and Albert Kahn’s Archives de la Planete Columbia University Press, pp.25-63. ISBN: 9780231135009

Babbitts, Judith (1994) ‘Made in America: a stereoscopic view of the United States’ in Nye, David and Gidley, Mick, (eds.), American photographs in Europe, Amsterdam: VU University Press, pp.41-56. ISBN 9053833048

Babbitts, Judith (2004) ‘Stereographs and the construction of a visual culture in the United States’ in Rabinovitz, Lauren and Geil, Abraham (eds.) Memory bytes: history, technology and digital culture. Durham, NC: Duke University Press, pp.126-149 ISBN 0822332280; 0822332418 (pbk)

Bak, Meredith A. (2012) ‘Democracy and discipline: Object lessons and the stereoscope in American education, 1870–1920’ in Early Popular Visual Culture, 10:2, pp.147-167 http://dx.doi.org/10.1080/17460654.2012.664746

Bak, Meredith A (2020) ‘Democracy and discipline: object lessons and the stereoscope in American education, 1870-1920’ in Playful visions: optical toys and the emergence of children’s media culture. Cambridge, Mass.: MIT Press, pp.181-208. ISBN: 9780262538718

Bantjes, Rod (2014) ‘Hybrid Projection, Machinic Exhibition and the Eighteenth-Century Critique of Vision.’ Art History 37:5, pp.912-39. http://dx.doi.org/10.1111/1467-8365.12099

Bantjes, Rod (2014) ‘‘‘Vertical Perspective Does Not Exist’’: The Scandal of Converging Verticals and the Final Crisis of Perspectiva Artificiali’. Journal of the History of Ideas, 75:2, pp.307-338. http://dx.doi.org/10.1353/jhi.2014.0012

Bantjes, Rod (2015) ‘Reading Stereoviews: The Aesthetics of Monstrous Space’. History of Photography, 39:1, pp.33-55 http://dx.doi.org/10.1080/03087298.2015.1004259

Bantjes, Rob (2016) ‘Hacking stereoscopic vision: The nineteenth-century culture of critical inquiry in stereoscope use’, International Journal of Film and Media Arts, 1:2, pp.4-21. http://revistas.ulusofona.pt/index.php/ijfma/article/view/5707/3595

Bantjes, Rod (2017) ‘‘Perspectives bâtardes’: Stereoscopy, Cézanne, and the Metapictorial Logic of Spatial Construction’. History of Photography, 41:3, pp.262-285. https://doi.org/10.1080/03087298.2017.1345478

Barberie, Peter (2008) ‘Charles Marville’s Seriality’. Record of the Art Museum, Princeton University, 67, pp.30-45.

Batchen, Geoffrey (1992) ‘Enslaved sovereign, observed spectator: on Jonathan Crary, Techniques of the observer’. Continuum: the Australian Journal of Media and Culture, 6:2, pp.80-94.

Baylis, Gail (2012) ‘Exchanging looks: Gap girls and colleens in early Irish tourist photography’, Early Popular Visual Culture, 10:4, pp.325-343. http://dx.doi.org/10.1080/17460654.2012.724568

Becker, Howard Saul (1979) ‘Stereographs: local, national and international art worlds’ in Earle, Edward W.,(ed.)Points of view: the stereograph in America: a cultural history. Rochester, NY: Visual Studies Workshop Press in collaboration with the Gallery Association of New York State, pp.89-96. ISBN: 9780898220063

Belknap, Geoffrey (2020) ‘The print after photography: Talbot and the invention of the “Photographic” print’, Nineteenth-Century Contexts, 42:2, pp.221-242 https://doi.org/10.1080/08905495.2020.1733326

Belisle, Brooke (2013) ‘The Total Archive: Picturing History from the Stereographic Archive to the Digital Database’, Mediascape, 11 pages, available: http://www.tft.ucla.edu/mediascape/Winter2013_PicturingHistory.html

Belisle, Brooke (2013) ‘Picturing networks: railroads and photographs’, AModern, 2: Network archaeology available: http://amodern.net/article/picturing-nineteenth-century-networks/

Biegon, Glenn (2005) ‘Stereoscopic synergy: twin-relief sculpture and painting’ in Leonardo, 38:2, pp.93-100. http://dx.doi.org/10.1162/0024094053722354

Blair, Peter (2015) ‘Stereo views: Victorian 3D photography of the Alps’, Alpine Journal, pp.225-233 http://alpinejournal.org.uk/Contents/Contents_2015.html

Blakely, Shantel (2017) ‘Solid Vision, or Mr Gropius Builds his Dream House’. AA Files, 75, pp.86-97.

Blum, Ron (2008) George Rose: Australia’s master stereographer. Oaklands Park, S.A.: Ron Blum. ISBN: 9780958957236

Boehlert, Krystal (2016) ‘Stereographs on your smartphone’, VRA Bulletin, 43:1  http://online.vraweb.org/vrab/vol43/iss1/4

Boman, Charlotte (2014) ‘“Peculiarly marked with the character of our own time”: Photography and Family Values in Victorian Domestic Journalism’. Victorian Periodicals Review, 47:4, pp.538-558. http://dx.doi.org/10.1353/vpr.2014.0039

Borges De Araújo, Nuno (2018) ‘Lisbon and its region: Stereoscopic photography, c.1853-1890’, International Journal on Stereo and Immersive Media, 1:2, pp.4-31. http://revistas.ulusofona.pt/index.php/stereo/article/download/6291/3843/

Bowers, Brian (2001) Sir David Brewster, FRS, 1802-1875, 2^nd rev. ed. London: Institution of Engineering and Technology. ISBN: 9780852961032

Brewster, David (1844) ‘On the law of visible position in single and binocular vision, and on the representation of solid figures by the union of dissimilar plane pictures on the retina.’ in Transactions of the Royal Society of Edinburgh, 15, pp.349-368. http://archive.org/details/transactionsofro15roya

Brewster, David (1844) ‘On the knowledge of distance given by binocular vision.’ in Transactions of the Royal Society of Edinburgh, 15, pp.663-674. http://archive.org/details/transactionsofro15roya

Brewster, David (1849) ‘Account of a new stereoscope.’ in Report of the British Association [for the Advancement of Science]. Transactions of The Sections, pp.6-7.

Brewster, David, Wheatstone, Charles and others (1852) Article VII [9 contributions on] Binocular vision and the stereoscope. North British Review, 33, pp.165-204. http://archive.org/details/northbritishrev08unkngoog

Brewster, David (1856) The stereoscope: its history, theory and construction with its application to the fine and useful arts and to education. London: John Murray. https://archive.org/details/stereoscopeitsh00brewgoog

Brooks, Kevin R. (2017) ‘Depth Perception and the History of Three-Dimensional Art: Who Produced the First Stereoscopic Images?’. Iperception, 8:1, http://dx.doi.org/10.1177/2041669516680114

Brunet, François (1994) ‘“Picture Maker of the Old West”: W. H. Jackson and the birth of photographic archives in the United States’ in Prospects, 19, pp.161-187. http://dx.doi.org/10.1017/S0361233300005093

Brunet, François (2014) ‘Iron Muse: Photographing the Transcontinental Railroad [Book Review]’, History of Photography, 38:4, pp.437-441.DOI: 10.1080/03087298.2014.949116:

Brust, James S. (2000) ‘Photojournalism, 1877: John H. Fouch, Fort Keogh’s First Post Photographer’. Montana: the Magazine of Western History, 50:4, pp.32-39 https://www.jstor.org/stable/4520277

Cain, Victoria E. M. (2016) ‘Seeing the world: Media and vision in US geography classrooms, 1890–1930’. Early Popular Visual Culture, 13:4, pp.276-292. http://dx.doi.org/10.1080/17460654.2015.1111591

Cameron, John B. (2004) ‘The Early Paper Stereographs of Claude-Marie Ferrier’. The Photogram, 31:5, pp.4-11. http://connection.ebscohost.com/c/articles/18919493/early-paper-stereographs-claude-marie-ferrier-1851-1861

Cameron, John B. and Schimmelman, Janice G. (2013) The early paper stereo views of Claude-Marie Ferrier, 1852-1858. The Collodion Press. ISBN: 9780982945643

Cameron, John B and Schimmelman, Janice G (2016) The glass stereoviews of Ferrier and Soulier, 1852-1908. The Collodion Press. ISBN: 9780982945674

Campbell, Mary (2014) ‘Praying for Grace: Charles Ellis Johnson’s synesthetic skin’ in Promey, Sally M., ed., Sensational religion: sensory cultures in material practice. New Haven: Yale University Press, pp.261-274. ISBN: 9780300187359

Capozolla, Christopher (2014) Photography and power in the colonial Philippines 1: The U.S. conquest and occupation (1898-1902) [online], MIT Visualising Cultures http://visualizingcultures.mit.edu/photography_and_power/index.html

Carbon, Claus-Christian and Hesslinger, Vera M (2013) ‘Da Vinci’s Mona Lisa entering the next dimension’, Perception, 42, pp.887-893. http://dx.doi.org/10.1068/p7524 

Carville, Justin (2007) ‘Mr Lawrence’s Great Photographic Bazaar’, Early Popular Visual Culture, 5:3, pp.263-283. http://dx.doi.org/10.1080/17460650701633629

Cernek, Stephen (2013) ‘From picturesque to profane: a cultural history of the Hudson River’s Palmer Falls.’ Hudson River Valley Review, 29:2, pp.52-70

Charlton, John (2001) ‘Views and Reports of the Dakota Sandstone Formation, Mushroom Rock, 1867-2001’. Transactions of the Kansas Academy of Science, 104:1/2, pp.44-58. https://www.jstor.org/stable/3628090

Childs, Elizabeth C. (1996) ‘Time’s Profile: John Wesley Powell, Art, and Geology at the Grand Canyon’. American Art, 10:1, pp.6-35 https://www.jstor.org/stable/3109213

Christie, Ian (2018) The 19th century craze for stereoscopic photography. https://www.youtube.com/watch?v=sUqQbbBe0fI

Christie, Ian (2018) The 19th century craze for stereoscopic photography
https://s3-eu-west-1.amazonaws.com/content.gresham.ac.uk/data/binary/2668/2018-02-26%20Ian%20Christie_SterecopicPhotography-T.pdf

Colligan, Colette (2004) ‘Stereograph’. Victorian Review: an interdisciplinary journal of Victorian Studies, 34:1, pp.75-82. http://muse.jhu.edu/article/541755

Coons, Jayda (2019) ‘“Spectral realities”: Little Dorrit, stereoscopy, and non-mimetic realism’, Nineteenth-Century Contexts, 42:1, pp.17-31 https://doi.org/10.1080/08905495.2019.1686935

Craciun, Adriana (2014) ‘The Franklin Relics in the Arctic Archive’. Victorian Literature and Culture, 42:1, pp.1-31. http://dx.doi.org/10.1017/S1060150313000235

Crary, Jonathan (1992) Techniques of the observer: on vision and modernity in the nineteenth century, Cambridge MA: MIT Press ISBN: 0262031698

da Silva, Maria Cristina Miranda (2016) ‘Stereoscopy In nineteenth century Brazil: The case of Rio de Janeiro’, International Journal of Film and Media Arts, 1:2, pp.58-74. http://revistas.ulusofona.pt/index.php/ijfma/article/view/5711/3599

Darrah, William Culp (1964) Stereo views: a history of stereographs in America and their collection, Gettysburg, PA:Times and News Publishing Co

Darrah, William Culp (1975) ‘ Stereographs: A Neglected Source of History of Photography.’ in Coke, Van Deren, ed., One Hundred Years of Photographic History: Essays in honour of Beaumont Newhall. Albuquerque: University of New Mexico Press, pp.43-46. ISBN: 9780826303448

Darrah, William Culp (1977) The world of stereographs, Gettysburg, PA: William C. Darrah ISBN: 9780965051316

Davidson, Kathleen (2014) ‘Connecting the Senses: Natural History and the British Museum in the Stereoscopic Magazine’. 19: Interdisciplinary Studies in the Long Nineteenth Century, 19.http://dx.doi.org/10.16995/ntn.700

Davis, Daniel (2006) ‘Appreciating a Pretty Shoulder: The Risqué Images of Charles Ellis Johnson’. Utah Historical Quarterly, 74:131-146. https://digitalcommons.usu.edu/cgi/viewcontent.cgi?article=1006&context=lib_pubs

Davis, Melody  D. (1998) ‘An essential reprint in stereography [review of “The World of stereographs” by William C. Darrah]’ in Art Journal, 57(3), pp.94-96. http://www.jstor.org/stable/777979

Davis, Melody (2011) ‘The new woman in American stereoviews, 1871-1905’ in Otto, E. and Rocco, V. (eds.) The new woman international: representations in photography and film from the 1870s through the 1960s,Ann Arbor: University of Michigan Press, pp.21-38

Davis, Melody (2015) Women’s views: the narrative stereograph in nineteenth-century America. Lebanaon, NH: University of New Hampshire Press. ISBN: 9781611688382/9781611688399

Davis, Melody (2019) Sentiment and Irony: The Stereoscopic Treasures of F. G. Weller https://scalar.usc.edu/works/fg-weller-/index

Daw, Naomi (2017) From the inside looking out: travelling the world from the parlour Brighton: University of Sussex Library. pp.73-87. http://dx.doi.org/10.20919/9780995786226/7

Dexter, Lorraine (1960) ‘A Vanished America in stereo’. American Heritage, 12, pp.113-128.

Di Bello, Patrizia (2013) ‘“Multiplying Statues by Machinery”: Stereoscopic Photographs of Sculptures at the 1862 International Exhibition’, History of Photography, 37:4, pp.412-420. http://dx.doi.org/10.1080/03087298.2013.780750

Di Bello, Patrizia (2016) ‘Photographs of sculpture: Greek slave’s ‘complex polyphony’,1847-1877′. 19: Interdisciplinary Studies in the Long Nineteenth Century, 22. http://dx.doi.org/10.16995/ntn.775

Di Bello, Patrizia (2016) ‘The Greek slave and photography in Britain’, Nineteenth-Century Art Worldwide: a journal of nineteenth-century visual culture, 15:2, pp.43 pages,  http://www.19thc-artworldwide.org/summer16/di-bello-on-the-greek-slave-and-photography-in-britain

Di Bello, Patrizia (2018) ‘Stereoscopic photographs of The Bride by Rafaelle Monti, 1862’ in Sculptural photographs: from the Calotype to digital technologies. London: Bloomsbury Visual Arts, pp.37-56. ISBN: 9781350028241

Difford, Richard J. (2008) ‘Stereopsis and still-life’, Medical Sciences History, 24, pp.8-25.

Difford, Richard J. (2012) ‘In defence of pictorial space: stereoscopic photography and architecture in the Nineteenth century ‘ in Higgot, Andrew and Wray, Timothy, eds., Camera constructs: photography, architecture and the modern city, Farnham: Ashgate, pp.295-312. ISBN: 9781409421450

DiGiulio, Katherine (1990) ‘The representation of women in 19th and early 20th-century narrative stereographs.’ in Fellows, Fanny Knapp Allen (ed.) Ideas about images: essays on film and photography, Rochester, NY: Rochester Film and Photo Consortium, pp.2-18.

Doherty, Amy S. (1978) ‘Carleton E. Watkins, Photographer: 1829-1916’. The Courier, 15:4, pp.3-20.
http://surface.syr.edu/cgi/viewcontent.cgi?article=1145&context=libassoc

Duany, Jorge (2001) ‘Portraying the Other: Puerto Rican Images in Two American Photographic Collections’. Discourse, 23:1, pp.119-153 https://www.jstor.org/stable/41389597

Duttlinger, Carolin (2005) ‘‘Die Ruhe des Blickes’: Brod, Kafka and the Kaiserpanorama’ in Emden, Christian and Midgley, David (eds.) Technology and the German cultural imagination: papers from the conference ‘The Fragile Imagination’, Cambridge, 2002, Oxford: Peter Lang ISBN: 9783039101702

Durie, Alastair J. (1997) ‘Tourism and photography in Victorian Scotland: the contribution of George Washington Wilson’ in By Royal Appointment: Aberdeen’s Pioneer Photographer: George Washington Wilson, 1823-1893. Aberdeen: AUL Publishing, pp.26-32. ISBN: 1874078084

Durie, Alastair J. (2015) ‘Tourism and commercial photography in Victorian Scotland: the rise and fall of G.W. Wilson & Co., 1853-1908’. Northern Scotland, 12 (First Series):1, pp.89-104.

Earle, Edward E. (ed.) (1979) Points of view: the stereograph in America: a cultural history, Rochester, New York: Visual Studies Workshop Press ISBN: 9780898220063

Earle, Edward W. (1979) ‘Interpretive chronology: stereo, American history and popular culture, 1850-1915’ in Earle, Edward W.,(ed.)Points of view: the stereograph in America: a cultural history. Rochester, NY: Visual Studies Workshop Press in collaboration with the Gallery Association of New York State, pp.23-87. ISBN: 9780898220063

Earle, Edward W. (1979) ‘The Stereograph in America: pictorial antecedents and cultural perspectives’ in Earle, Edward W. (ed.) Points of view: the stereograph in America: a cultural history. Rochester, NY: Visual Studies Workshop Press in collaboration with the Gallery Association of New York State, pp.9-23. ISBN: 9780898220063

Earle, Edward W. (1987) On the stump: Theodore Roosevelt in stereographs. (CMP Bulletin, Vol. 7, No. 1) California Museum of Photography. ISBN:

Edwards, Elizabeth (2011) ‘A Village Lost and Found: An Annotated Tour of the 1850s Series of Stereo Photographs “Scenes from our Village” by T. R. Williams’. Photography and Culture, 4:2, pp.235-237.http://dx.doi.org/10.2752/175145211X1299239431539

Ellenbogen, Josh (2010) ‘The Eye of the Sun and the Eye of God’, Visual Resources, 26:2, pp.113-130 https://doi.org/10.1080/01973761003750633

Erasmus, H. J. (2012) ‘The Underwood & Underwood stereographs of the Anglo-Boer War, 1899-1902’, South African Journal of Cultural History, 26:2, pp.61-82.

Evans, Elaine Altman (2003) In the Sandals of Pharaoh: James Henry Breasted and the Stereoscope. (McClung Museum of Natural History and Culture Occasional Paper) http://mcclungmuseum.utk.edu/2003/01/01/breasted-and-stereoscope/

Evans, Elaine Altman (2007) ‘In the Sandals of Pharaoh: James Henry Breasted and the Stereoscope.’ in Fortenberry, Diane (ed.) (2007) Who Travels Sees More: Artists, Architects and Archaeologists Discover Egypt and the Near East. Oxford: Oxbow Books, pp.163-178. ISBN: 9781842172735

Feiersinger, Luisa ‘Travelling through the Stereoscope’ in Boskamp, Ulrike, Buchholz, Amrei, Kranen, Annette and Michalsky, Tanja (eds.) Verkoppelte Räume: Die Kombination von Karte und Bildfolge als mediales Dispositiv Max-Planck-Gesellschaft zur Förderung der Wissenschaften e.V., pp. ISBN: 9783777435343

Ferragallo, Roger (1972) ‘A manifesto directed to the new aesthetics of stereo space in the visual arts and the art of painting’, [online], available: http://www.ferragallo.com/indexflash.html

Ferragallo, Roger (1974) ‘On stereoscopic painting’ in Leonardo, 7:2, pp.97-104 http://www.jstor.org/stable/1572788

Fleckenstein, Kirstie S. (2016) ‘Materiality’s rhetorical work: the nineteenth century parlor stereoscope and the second-naturing of vision’ in Barnett, Scot and Boyle, Casy, eds., Rhetoric, through everyday things. Tuscaloosa, Ala: University of Alabama, pp.125-138. ISBN: 9780817319199

Flores, Victor (2013) ‘Stereo visual culture: Between the documentary and entertainment’. The International Journal of the Image, 3:4, pp.9-19. https://cgscholar.com/bookstore/works/stereo-visual-culture

Flores, Victor ed. (2016) A terceira imagem: A fotografia estereoscópica em Portugal/The third image: Stereo Photography in Portugal, Lisbon: Documenta. ISBN: 9789898618740

Flores, Victor (2018) ‘The Metrics of Landscape: Stereo fieldwork by Francisco Afonso Chaves and other Portuguese Explorers’, Artnodes 21 DOI: 10.7238/a.v0i21.3162

Flores, Victor (2020) ‘Wet collodion and a pair of lenses Carlos Relvas’s Stereoscopic Photography: the digital reunion of negatives and prints’, History of Photography, (preprint) https://osf.io/preprints/socarxiv/6qdj3

Fowles, Jib (1994) ‘Stereography and the standardization of vision’ in The Journal of American Culture, 17:2, pp.89-93 http://dx.doi.org/10.1111/j.1542-734X.1994.00089.x

Fraser, Sarah E. (2010) ‘The Face of China: Photography’s Role in Shaping Image, 1860—1920’. Getty Research Journal, 2, pp.39-52.

Friedel, Megan K. and Toedtemeier, Terry (2008) ‘Picturing Progress: Carleton Watkins’s 1867 Stereoviews of the Columbia River Gorge’ in Oregon Historical Quarterly 109:3, pp.388-411
http://www.jstor.org/stable/20615876

Garrison, Laurie (2007) ‘The Visual subject, c.1810–1840: trends in Romanticism and Victorianism’ in Literature Compass, 4:4, pp.1078–1091. http://dx.doi.org/10.1111/j.1741-4113.2007.00461.x

Godbey, Emily (2012) ‘“Terrible Fascination”: Civil War stereographs of the dead’ in History of Photography, 36:3, pp.265-274. http://dx.doi.org/10.1080/03087298.2012.672225

Goldberg, Tyler and Clemons, Angel (2010) ‘Cataloging in stereo: metadata for stereographs’, in Microform and Imaging Review, 39:3, pp.86-97. http://dx.doi.org/10.1515/mfir.2010.013

Goldsborough, Gordon (2007) ‘Victorian virtual reality’ in Manitoba History, 54, pp.30-38 http://www.mhs.mb.ca/docs/mb_history/54/victorianvirtualreality.shtml

Gonzalez, Carmen Perez (2017) ‘From the observatory to the classroom: Space images in the Keystone “600 set” and “1200 set”’. International Journal on Stereo and Immersive Media, 1:1, pp.40-52. http://revistas.ulusofona.pt/index.php/stereo/article/view/6049

Good, Katie Day (2019) ‘Sight-Seeing in School: Visual Technology, Virtual Experience, and World Citizenship in American Education, 1900–1930’. Technology and Culture, 60:1, pp.98-131.

Good, Katie Day (2020) ‘Sightseeing in school: promotions of virtual experience and world citizenship from the stereoscope to radio’ in Bring the world to the child: technologies of global citizenship in American education. Cambridge, Mass.: MIT Press, pp.29-70. ISBN: 9780262538022

Graver, Bruce (2009) ‘Wordsworth, Scott, and the stereographic picturesque’ in Literature Compass, 6(4), pp.896–926. http://dx.doi.org/10.1111/j.1741-4113.2009.00645.x

Green, Harvey (1979) ‘Pasteboard masks: the stereograph in American culture 1865-1910’ in Earle, Edward W.(ed.) Points of view: the stereograph in America: a cultural history. Rochester, NY: Visual Studies Workshop Press in collaboration with the Gallery Association of New York State, pp.109-115. ISBN: 9780898220063

Grenbeaux, Pauline (1978) ‘Before Yosemite Art Gallery: Watkins’ Early Career’, California History, 57:3, pp.220-241, https://www.jstor.org/stable/25157847

Grigsby, Darcy Grimaldo ( 2013) ‘Two dimensions or three? Scale, photography, and Egypt’s pyramids.’ in Behdad, Ali  and Gartlan, Luke, eds., Photography’s orientalism: new essays on colonial representation. Los Angeles: Getty Research Institute, pp.115-128. ISBN: 978160606510

Grosscup, Jeffrey P (1975) ‘Stereoscopic Eye on the Frontier West’. The Magazine of Western History, 25:2, pp.36-50.

Guiness, Selina (2004) ‘Ireland through the stereoscope: reading the cultural politics of theosophy in the Irish literary revival’ in Fitzsimon Taylor, Betsey and Murphy, James H., eds., The Irish revival reappraised, Dublin: Four Courts Press, pp.19-32. ISBN: 1851827579

Gunning, Tom (2001) ‘Doubled Vision: Peering through Kentridge’s Stereoscope, Parkett, 63, pp.66-81 http://www.parkettart.com/books/63-volume.html

Gurevitch, Leon (2013) ‘The stereoscopic attraction: Three-dimensional imaging and the spectacular’ in Convergence, 19:4, pp.396-405 http://dx.doi.org/ 10.1177/1354856513494175

Gurevitch, Leon and Miriam Ross (2013) ‘Stereoscopic Media: Scholarship Beyond Booms and Bust’ in Public, 47, pp.72-82 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Haberstich, David E. (1994) ‘American photographs in Europe and illusions of travel’ in Nye, David and Gidley, Mick, eds., American photographs in Europe. Amsterdam: VU University Press, pp.57-75. ISBN: 9789053833049

Haberstich, David E. (1996) ‘Souvenirs of roads not taken: Virtual travel with the Underwood and Underwood system and the World Wide Web’ in Robinson, Mike, Evans, Nigel and Callaghan, Paul, eds.,Culture as the Tourist Product Newcastle-upon-Tyne: Centre for Tourism and Travel pp.131-139. ISBN: 9780907679882

Hackemann, Rebecca (2013) ‘The Fictional Referent as Signifier in 3D Photography’ in Public, 47, pp.ii-iv http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Haifley, Julie Link (1980) ‘Capital Images: The Photography of Titian Ramsay Peale, 1855-1885’. Records of the Columbia Historical Society, Washington, D.C., pp.229-244.

Hainge, Greg (2013) ‘On Noise and Photography. Forest, Fuzz, Ruff’ in Greg Hainge, Noise Matters: Towards an Ontology of Noise, New York: Bloomsbury Academic, pp.209-239

Hallett, Michael (1986) ‘John Benjamin Dancer 1812-1887: a perspective’ in History of Photography, 10:3, pp.237-255.

Hamessley, Lydia (2007) ‘Double vision: banjos, guitars, and mandolins in late 19th-Century stereoviews’ in Fretboard Journal, 8, pp.108-114 http://www.fretboardjournal.com/store/issue-8-winter-2007

Hamessley, Lydia (2007) ‘Within sight: three-dimensional perspectives on women and banjos in the late nineteenth century’ in 19th-Century Music, 31:2, pp.131-163. http://dx.doi.org/10.1525/ncm.2007.31.2.131

Hamilton, George E. (1949) Oliver Wendell Holmes, his pioneer stereoscope and the later industry, New York: Newcomen Society

Hankins, Thomas L. and Silverman, Robert  J. (1995) ‘The giant eyes of science: the stereoscope and photographic depiction in the nineteenth century’ in Hankins, Thomas L. and Silvermaan, Robert  J., (eds.), Instruments and the imagination, Princeton: Princeton University Press, pp.148-177 ISBN: 9780691005492

Hanson, David A. (1985) ‘Early Photolithographic Stereographs in America: William and Frederick Langenheim and A. A. Turner’, History of Photography, 9:2, pp. 131-140.

Haralambidou, Penelope (2007) ‘The stereoscopic veil’ in Architectural Research Quarterly, 11:1, pp.36-52 http://dx.doi.org/10.1017/S1359135507000486

Haralambidou, Penelope (2012) ‘Stereoscopy and the architecture of visual space’ in Higgot, Andrew and Wray, Timothy, eds., Camera constructs: photography, architecture and the modern city, Farnham: Ashgate, pp.313-330. ISBN: 9781409421450

Hardijzer, Carol (2018) Anglo-Boer War: Stereo photographs produced by Underwood & Underwood, The Heritage Portal [online], 16th November http://www.theheritageportal.co.za/article/anglo-boer-war-stereo-photographs-produced-underwood-underwood

Hazen, Margaret Hindle  and Hazen, Robert M. (1992) ‘Perpetuating the flame’ in Keepers of the Flame: The Role of Fire in American Culture, 1775-1925 Princeton University Press, pp. ISBN: 9780691606637

Heckscher, Morrison H. (2008) ‘Creating Central Park’. The Metropolitan Museum of Art Bulletin, New Series, 65:3, pp.1-3,5-74.

Heil, Douglas (2017) The art of stereography: rediscovering vintage three-dimensional images. Jefferson, NC: McFarland. ISBN: 9781476664606

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