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Books and Articles

 

Acland, Charles (201o) ‘Avatar as Technological Tentpole’ in Flow, Jan 2010. http://flowtv.org/2010/01/avatar-as-technological-tentpole-charles-r-acland-concordia-university/

Atkinson, Sarah (2011) ‘Stereoscopic-3D Storytelling: rethinking the conventions, grammar and aesthetics of a new medium’ in Journal of Media Practice, 12:2, pp.139-156. http://dx.doi.org/10.1386/jmpr.12.2.139_1

Aylsworth, Wendy L., Postley, Howard J., Sandrew, Barry B., Dobrin, Bruce E. and Husak, Walt (2013) ‘Stereographic digital cinema: production and exhibition techniques in 2012′, in Proceedings of the IEEE, 101:1, pp.169-189. http://dx.doi.org/10.1109/JPROC.2012.2191610

Babbitts, Judith (1994) ‘Made in America: a stereoscopic view of the United States’ in Nye, David and Gidley, Mick, (eds.), American photographs in Europe, Amsterdam: VU University Press, pp.41-56. ISBN 9053833048

Babbitts, Judith (2004) ‘Stereographs and the construction of a visual culture in the United States’ in Rabinovitz, Lauren and Geil, Abraham (eds.) Memory bytes: history, technology and digital culture. Durham, NC: Duke University Press, pp.126-149 ISBN 0822332418

Bak, Meredith A. (2012) ‘Democracy and discipline: Object lessons and the stereoscope in American education, 1870–1920′ in Early Popular Visual Culture, 10:2, pp.147-167 http://dx.doi.org/10.1080/17460654.2012.664746

Belton, John (2012) “Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase.” Film History: An International Journal 24.2 (2012): 187-195. http://dx.doi.org/10.1353/fih.2012.0017

Biegon, Glenn (2005) ‘Stereoscopic synergy: twin-relief sculpture and painting’ in Leonardo, 38:2, pp.93-100. http://dx.doi.org/10.1162/0024094053722354

Block, Alexis (2009) ‘Put on your glasses: 3D in two generations’ in Animatrix: a journal of the UCLA Animation Workshop, 17, pp.15-24 http://animation.filmtv.ucla.edu/NewSite/WebPages/BackIssues/AnimBack017.html

Blundell, Barry G. (2011) About 3D Volumetric Displays, Walker & Wood Limited. ISBN: 9780473193768

Blundell, Barry G. (2011) 3D Displays and Spatial Interaction, Walker & Wood Limited. ISBN: 9780473177010http://www.barrygblundell.com/

Bowers, Brian (2001) Sir David Brewster, FRS, 1802-1875, 2^nd rev. ed. London: Institution of Engineering and Technology. ISBN: 9780852961032

Brewster, David (1844) ‘On the law of visible position in single and binocular vision, and on the representation of solid figures by the union of dissimilar plane pictures on the retina.’ in Transactions of the Royal Society of Edinburgh, 15, pp.349-368. http://archive.org/details/transactionsofro15roya

Brewster, David (1844) ‘On the knowledge of distance given by binocular vision.’ in Transactions of the Royal Society of Edinburgh, 15, pp.663-674. http://archive.org/details/transactionsofro15roya

Brewster, David (1849) ‘Account of a new stereoscope.’ in Report of the British Association [for the Advancement of Science]. Transactions of The Sections, pp.6-7.

Brewster, David, Wheatstone, Charles and others (1852) Article VII [9 contributions on] Binocular vision and the stereoscope. North British Review, 33, pp.165-204. http://archive.org/details/northbritishrev08unkngoog

Brewster, David (1856) The stereoscope: its history, theory and construction with its application to the fine and useful arts and education.  London: John Murray

Brown, William (2012) ‘Avatar: Stereoscopic Cinema, Gaseous Perception and Darkness’ in Animation: an Interdisciplinary Journal, pp.259-271. http://dx.doi.org/10.1177/1746847712456254

Brunet, François (1994) ‘“Picture Maker of the Old West”: W. H. Jackson and the birth of photographic archives in the United States’ in Prospects, 19, pp.161-187. http://dx.doi.org/10.1017/S0361233300005093

Christie, Ian (2011) ‘Clash of the Wonderlands: 3D Cinema’ in Sight and Sound, Nov 2011. Available online at: http://old.bfi.org.uk/sightandsound/feature/49789

Clover, Joshua (2010) ‘The Struggle for Space’ in Film Quarterly, 63:3, pp.6-7. http://www.jstor.org/stable/10.1525/fq.2010.63.3.6

Crary, Jonathan (1992) Techniques of the observer: on vision and modernity in the nineteenth century, Cambridge MA: MIT Press ISBN: 0262031698

Darrah, William Culp (1964) Stereo views: a history of stereographs in America and their collection, Gettysburg, PA:Times and News Publishing Co

Darrah, William Culp (1977) The world of stereographs, Gettysburg, PA: William C. Darrah ISBN: 9780965051316

Davis, Melody  D. (1998) ‘An essential reprint in stereography [review of "The World of stereographs" by William C. Darrah]‘ in Art Journal, 57(3), pp.94-96. http://www.jstor.org/stable/777979

Davis, Melody (2011) ‘The new woman in American stereoviews, 1871-1905′ in Otto, E. and Rocco, V. (eds.) The new woman international: representations in photography and film from the 1870s through the 1960s,Ann Arbor: University of Michigan Press, pp.21-38

DeJohn, Matthew (n.d.) How to critique 3D
http://www.digitalcinemareport.com/stereoscopic-3D-differences

DeSouza, Clyde (2012) Think in 3D, CreateSpace ISBN 1470150778

DiGiulio, Katherine (1990) ‘The representation of women in 19th and early 20th-century narrative stereographs.’ in Fellows, Fanny Knapp Allen (ed.) Ideas about images: essays on film and photography, Rochester, NY: Rochester Film and Photo Consortium, pp.2-18.

Duttlinger, Carolin (2005) ‘‘Die Ruhe des Blickes’: Brod, Kafka and the Kaiserpanorama’ in Emden, Christian and Midgley, David (eds.) Technology and the German cultural imagination: papers from the conference ‘The Fragile Imagination’, Cambridge, 2002, Oxford: Peter Lang ISBN: 9783039101702

Earle, Edward E. (ed.) (1979) Points of view: the stereograph in America: a cultural history, Rochester, New York: Visual Studies Workshop Press ISBN: 9780898220063

Eisenstein, Sergei M. (1949) ‘On stereoscopic cinema’ in Penguin Film Review, No.8, January, pp.35-45.

Elsaesser, Thomas (2011) ‘James Cameron’s Avatar: Access for all’ in New Review of Film and Television Studies, 9:3, pp. 247-264. http://dx.doi.org/10.1080/17400309.2011.585854

Elsaesser, Thomas (2012) ‘The “Return” of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century’ in Critical Inquiry, 39:2, pp.217-246 criticalinquiry.uchicago.edu/uploads/pdf/Elsaesser.pdf

Ferragallo, Roger (1972) ‘A manifesto directed to the new aesthetics of stereo space in the visual arts and the art of painting’ http://www.ferragallo.com/indexflash.html

Ferragallo, Roger (1974) ‘On stereoscopic painting’ in Leonardo, 7:2, pp.97-104 http://www.jstor.org/stable/1572788

Flueckiger, Barbara (2012) ‘Aesthetics of Stereoscopic Cinema’ in  Projections, 6:1, pp. 101-122 http://dx.doi.org/10.3167/proj.2012.060104

Fowles, Jib (1994) ‘Stereography and the standardization of vision’ in The Journal of American Culture, 17:2, pp.89-93 http://dx.doi.org/10.1111/j.1542-734X.1994.00089.x

Friedel, Megan K. and Toedtemeier, Terry (2008) ‘Picturing Progress: Carleton Watkins’s 1867 Stereoviews of the Columbia River Gorge’ in Oregon Historical Quarterly 109:3, pp.388-411
http://www.jstor.org/stable/20615876

Garrison, Laurie (2007) ‘The Visual subject, c.1810–1840: trends in Romanticism and Victorianism’ in Literature Compass, 4:4, pp.1078–1091. http://dx.doi.org/10.1111/j.1741-4113.2007.00461.x

Graver, Bruce (2009) ‘Wordsworth, Scott, and the stereographic picturesque’ in Literature Compass, 6(4), pp.896–926. http://dx.doi.org/10.1111/j.1741-4113.2009.00645.x

Godbey, Emily (2012) ‘“Terrible Fascination”: Civil War stereographs of the dead’ in History of Photography, 36:3, pp.265-274. http://dx.doi.org/10.1080/03087298.2012.672225

Goldberg, Tyler and Clemons, Angel (2010) ‘Cataloging in stereo: metadata for stereographs’, in Microform and Imaging Review, 39:3, pp.86-97. http://dx.doi.org/10.1515/mfir.2010.013

Goldsborough, Gordon (2007) ‘Victorian virtual reality’ in Manitoba History, 54, pp.30-38 http://www.mhs.mb.ca/docs/mb_history/54/victorianvirtualreality.shtml

Gurevitch, Leon (2012) ‘The Birth of a Stereoscopic Nation: Hollywood, Digital Empire and the Cybernetic Attraction’ in Animation: an interdisciplinary journal, 7: 3, pp.239-258. http://dx.doi.org/10.1177/1746847712456255

Hall, Sheldon (2004) ‘Dial M for Murder’ in Film History, 16:3, pp.243-255 http://www.jstor.org/stable/3815536

Hallett, Michael (1986) ‘John Benjamin Dancer 1812-1887: a perspective’ in History of Photography, 10:3, pp.237-255.

Hamessley, Lydia (2007) ‘Double vision: banjos, guitars, and mandolins in late 19th-Century stereoviews’ in Fretboard Journal, 8, pp.108-114 http://www.fretboardjournal.com/store/issue-8-winter-2007

Hamessley, Lydia (2007) ‘Within sight: three-dimensional perspectives on women and banjos in the late nineteenth century’ in 19th-Century Music, 31:2, pp.131-163. http://dx.doi.org/10.1525/ncm.2007.31.2.131

Hamilton, George E. (1949) Oliver Wendell Holmes, his pioneer stereoscope and the later industry, New York: Newcomen Society

Hankins, Thomas L. and Silverman, Robert  J. (1995) ‘The giant eyes of science: the stereoscope and photographic depiction in the nineteenth century’ in Hankins, Thomas L. and Silvermaan, Robert  J., (eds.), Instruments and the imagination, Princeton: Princeton University Press, pp.148-177 ISBN: 9780691005492

Haralambidou, Penelope (2007) ‘The stereoscopic veil’ in Architectural Research Quarterly, 11:1, pp.36-52 http://dx.doi.org/10.1017/S1359135507000486

Hawkins, Richard C. (1953) ‘Perspective on “3-D”‘ in The Quarterly of Film, Radio and Television,7:4, pp.325-334. http://dx.doi.org/10.2307/1210004

Hayes, R. M. (1989) 3-D Movies: A History and Filmography of Stereoscopic Cinema, London: St James Press ISBN 0786405783

Heilbrun, Francoise (2009) ‘Impressionism and photography’ in History of Photography, 33:1, pp.18-25 http://dx.doi.org/10.1080/03087290802582889

Hibbert, William (2004) Jacques Henri Lartigue: hidden depths. London: Design for Life.  ISBN: 978-0954678807

Higgins, S. (2012) ’3D in Depth: Coraline, Hugo, and a Sustainable Aesthetic’ in  Film History: An International Journal24:2, 196-209. http://dx.doi.org/10.1353/fih.2012.0009

Hoelscher, Steven (1998) ‘The photographic construction of tourist space in Victorian America’ in Geographical Review, 88:4, pp.548-570 http://www.jstor.org/stable/215712

Holmes, Oliver Wendell (1859), ‘The Stereoscope and the Stereograph‘, Atlantic Monthly, 3, pp.738-48 http://www.theatlantic.com/magazine/archive/1859/06/the-stereoscope-and-the-stereograph/303361/

Holmes, Oliver Wendell (1861) ‘Sun-Painting and Sun-Sculpture; With a Stereoscopic Trip Across the Atlantic‘, Atlantic Monthly, pp.13-29

Hood, M.V.J. and Haas, Robert Bartlett (1963) ‘Eadweard Muybridge’s Yosemite Valley photographs, 1867-1872’ in California Historical Society Quarterly, 42:1, pp.5-26.http://www.jstor.org/stable/25155515

Hubbard, Melanie (2005) ‘”Turn it a little”: the influence of the Daguerreotype and the stereograph on Emily Dickinson’s use of manuscript variants’, in Mosaic: a journal for the interdisciplinary study of literature, 38:1, pp.115-132.

Huffman, Wendell W. (2012) Waiting for the cars: Alfred A. Hart’s Stereoscopic Views of the Central Pacific Railroad, 1863-1869. Carson City, NV: Nevada State Railroad Museum. ISBN: 9780972877336

Jenkins, H. F. (1957) Two points of view: the history of the parlor stereoscope, Elmira, NY: World in Color Productions.

Johnston, Keith M. (2008) ‘”Three Times as Thrilling!”: The Lost History of 3-D Trailer Production, 1953-54′, Journal of Popular Film and Television, 36:3, pp.150 – 160. http://dx.doi.org/10.3200/JPFT.36.3.150-160

Johnston, Keith M. (2011) ‘Now is the time (to put on your glasses): 3-D film exhibition in Britain, 1951-55′, Film History, 23, pp.93-103 http://muse.jhu.edu/journals/film_history/summary/v023/23.1.johnston.html

Johnston, Keith M. (2012) ‘A technician’s dream? The critical reception of 3-D films in Britain.’ in Historical Journal of Film, Radio and Television,32:2, pp.245-265. http://dx.doi.org/10.1080/01439685.2012.669887

Jones, Andrew F. (2010) ‘Portable monuments: architectural photography and the “Forms” of Empire in Modern China’ in Positions, 18:3, pp.599-631. http://dx.doi.org/10.1215/10679847-2010-016

Kanemitsu, Yoko (2000) ‘Stereoscopy and Pre-Raphaelitism: the Pre-Raphaelites and Ruskin in the New Media Age’ in Convergence, 6, pp.106-120 http://dx.doi.org/10.1177/135485650000600110

Kehr, Dave (2010) ‘3-D or not 3-D: from Bwana Devil to Avatar: how far has the technology come and how much further must it go?’ in Film Comment, 46:1, pp.60-67

Kerbel, Michael (1980) ‘3-D or not 3-D’ in Film Comment, 16:6, pp.11-20

Kibbey, Mead B. (1996) The railroad photographs of Alfred A. Hart, artist; edited by Peter E. Palmquist.  Sacramento,Ca.: California State Library.  ISBN: 9780929722856. http://cprr.org/Museum/AA_Hart-Mead_Kibbey_CSLF/index.html

Klinger, Barbara (2012) ‘Cave of Forgotten Dream: Mediation on 3D’ in Film Quarterly, 65:3, pp.38-43 http://www.jstor.org/stable/10.1525/FQ.2012.65.3.38

Koszarski, Richard (2000) ‘A Lion in Your Lap – A Lover in Your Arms: Arch Oboler and “Bwana Devil”’ in Film History 12:1, pp.17-28. http://dx.doi.org/10.1525/FQ.2012.65.3.38

Kroon, Richard (2012) 3D A-to-Z: An encyclopedia dictionary, London:McFarland ISBN 0786468246

Layer, Harold A. (1971) ‘Exploring stereo images: a changing awareness of space in the fine arts’ in Leonardo, 4:3, pp.233-238. http://www.jstor.org/stable/1572296

Layer, Harold A. (1979) ‘Stereoscopy: Where Did It Come From? Where Will It Lead?’ in Exposure, 17:3, pp.34-48.

Layer, Harold A. (1989) ‘Holographic and stereoscopic space: new research directions’ in Leonardo, 22:3/4, pp.411-413. http://www.jstor.org/stable/1575406

Lindquist-Cock, Elizabeth (1970) ‘Stereoscopic photography and the Western paintings of Albert Bierstadt’ in Art Quarterly, 33:4, pp.360-378.

Lippit, Akira Mizuta (1999) ‘Three Phantasies of Cinema – Reproduction, Mimesis, Annihilation’ in Paragraph, 22:3, pp. 213-227. http://www.euppublishing.com/doi/abs/10.3366/para.1999.0001

Lipton, Lenny (1982) Foundations of the Stereoscopic Cinema, New York:Van Nostrand Reinhold. http://www.stereoscopic2.org/library/foundation.php

Long, Burke O. (2003) Imagining the Holy Land: lands, models and fantasy travels, Bloomington, IN:Indiana University Press. ISBN: 0253341361

Macgowan, Kenneth (1956) ‘The Screen’s “New Look”: Wider and Deeper’ in The Quarterly of Film, Radio and Television, 11:2, pp.109-130. http://dx.doi.org/10.2307/1209832

Malin, Brenton J. (2007) ‘Looking white and middle-class: stereoscopic imagery and technology in the early Twentieth-Century United States’ in Quarterly Journal of Speech,93:4, pp.403-424. http://dx.doi.org/10.1080/00335630701593998

Manovich, Lev (1993) ‘The Mapping of Space: Perspective, Radar, and 3-D Computer Graphics’. Available online at:  http://manovich.net/TEXT/mapping.html

Masteller, Richard N. (1981) ‘Western views in eastern parlors: the contribution of the stereograph photographer to the conquest of the West’ in Prospects, 6, pp.55-71. http://dx.doi.org/10.1017/S0361233300003355

May, Brian and Vidal, Elena (2009) A village lost and found: An annotated tour of the 1850s series of stereo photographs “Scenes in Our Village” by T. R. Williams, London: Frances Lincoln Ltd and The London Stereoscopic Company ISBN: 9780711230392

Mayer, David (2002) ‘“Quote the words to prompt the attitudes”: the Victorian performer, the photographer, and the photograph’ in Theatre Survey, 43:2, pp.223-251. http://dx.doi.org/10.1017/S0040557402000121

Mayorov, Nikolai (2012) ‘A first in cinema… stereoscopic films in Russia and the Soviet Union’ in Studies in Russian and Soviet Cinema, 6:2 pp. 217-239. http://dx.doi.org/10.1386/srsc.6.2.217_1

Morgan, Hal and Symmes, Dan (1982) Amazing 3-D, London: Vermilion ISBN: 0316582832/0316582840

Moulten Carter (20) ‘The Future is a Fairground: Attraction and Absorption in 3D Cinema’ in CineAction, 89, pp.4-13. http://cineaction.ca/issue89sample%20.pdf

Muriuki, Godfrey and Sobania, Neal (2007) ‘The truth be told: stereoscopic photographs, interviews and oral tradition from Mount Kenya’ in Journal of Eastern African Studies,1:1, pp.1-15. http://dx.doi.org/10.1080/17531050701218783

Merrin, William (2005) ‘Skylights Onto Infinity: The World In a Stereoscope’ in Simon Popple and Vanessa Toulmin (eds) Visual Delights Two: Audiences and Reception, Eastleigh: John Libbey, pp.161-174. ISBN: 0861966570

Mitchell, Rick (2004) ‘The Tragedy of 3-D Cinema’ in Film History, 16, pp.208-215. http://www.jstor.org/stable/3815533

Natale, Simone (2012) ‘Photography and communication media in the Nineteenth Century’ in History of Photography, 36:4, pp.451-456. http://dx.doi.org/10.1080/03087298.2012.680306

Ogawa, David (2007) ‘Arresting nudes in Second Empire Paris’ in History of Photography, 31:4, pp.330-347.

Palmquist, Peter E. (1979) ‘The California Indian in three-dimensional photography’ in Journal of California and Great Basin Anthropology, 1:1, pp.89-116. http://www.jstor.org/stable/27824948

Palmer, Gary (2004) ’3-D Filmography’ in Film History, 16:3, pp.256-276. http://www.jstor.org/stable/3815537

Paul, William (2004) ‘Breaking the Fourth Wall: ‘Belascoism’, Modernism and a 3-D Kiss Me Kate’ in Film History, 16:3, pp.229-242. http://www.jstor.org/stable/3815535

Paul, William (1993) ‘The Aesthetics of Emergence’ in Film History, 5:3, pp.321-355. http://www.jstor.org/stable/3815145

Pietrobruno, Sheenagh (2011) ‘The Stereoscope and the miniature’ in Early Popular Visual Culture,9:3, pp.171-190. http://dx.doi.org/10.1080/17460654.2011.601159

Plunkett, John (2005) ‘Optical recreations and Victorian literature’ in Essays and Studies, 58, pp.1-28.

Plunkett, John (2007) ‘Depth, colour, movement: embodied vision and the stereoscope’ in Lyons, James and Plunkett, John, (eds.), Multimedia histories: from the magic lantern to the internet, Exeter: Exeter University Press, pp.117-131 ISBN: 9780859897730

Plunkett, John (2008) ‘Selling stereoscopy, 1890–1915: Penny arcades, automatic machines and American salesmen.’ in Early Popular Visual Culture,6:3, pp.239-255. http://dx.doi.org/10.1080/17460650802443027

Popple, Simon (2005) ‘Indecent exposures: photography, vice and the moral dilemma in Victorian Britain’ in Early Popular Visual Culture, 3:2, pp.113-133. http://dx.doi.org/10.1080/17460650500197479

Purse, Lisa (2013) ‘The Digital in Three Dimensions’ in Purse, Lisa, Digital Imaging in Popular Cinema. Edinburgh: Edinburgh University Press: 129-151. ISBN: 0748646906

Pytel, Marek (2013) ‘Eadweard Muybridge: Inverted modernism and the stereoscopic vision’ in Early Popular Visual Culture, 11:1, pp.71-82.http://dx.doi.org/10.1080/17460654.2012.756650

Rayfield, Beth (1998) ‘Double Dating: Courtship Ritual and the Radical Potential of Stereographic Viewing’, Iconomania: studies in visual culture, 1-7,  http://www.humnet.ucla.edu/humnet/arthist/Icono/rayfield/dbldate.htm

Raven, Lucy (2011) ‘The Second Eye’, MIT Press Journals, 138.1, pp133-139 http://dx.doi.org/10.1162/OCTO_a_00072

Reynaud, F.; Tabrun, C. and Timby, K. (eds.) (2000) Paris in 3-D: from stereoscopy to virtual reality 1850- 2000. Paris-Musées. Paris: Booth-Clibborn ISBN: 9781861541628

Richard, Pierre-Marc (1998) ‘Life in Three Dimensions: The Charm of Stereoscopy’ in Michael Frizot (ed) A New History of Photography, Köln: Könemann pp.174-183. ISBN: 3829013280

Ronfard, Rémi  and Gabriel Taubin (eds) Image and Geometry Processing for 3-D Cinematography, London: Springer, pp.11-52 ISBN 3642123910

Ross, Miriam (2011) ‘Spectacular Dimensions: 3D Dance Films’ in Sense of Cinema 61. Available online at http://www.sensesofcinema.com/2011/feature-articles/spectacular-dimensions-3d-dance-films/.

Ross, Miriam (2012) ‘The 3-D aesthetic: Avatarand hyperhaptic visuality’ in Screen 53:4, pp.381-397. http://dx.doi.org/10.1093/screen/hjs035

Ross, Sara (2012). Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema. Film History: An International Journal24:2. pp.210-220.  http://dx.doi.org/10.1353/fih.2012.0010

Salvesen, Britt (1997) ‘“The Most Magnificent, Useful, and Interesting Souvenir”: Representations of the International Exhibition of 1862′ in Visual Resources: An International Journal of Documentation,13:1, pp.1-32. http://dx.doi.org/10.1080/01973762.1997.9658408

Sammons, Eddie (1992) The World of 3D Movies, A Delphi. http://www.stereoscopic2.org/library/sammons.php

Sandifer, Philip (2011) ‘Out of the screen and into the theatre: 3-D film as demo’ in Cinema Journal, 50:3, pp.62-78. http://dx.doi.org/10.1353/cj.2011.0034

Schiavo, Laura B. (2003) ‘From Phantom Image to Perfect Vision: Physiological Optics, Commercial Photography, and the Popularization of the Stereoscope’, In Gitelman and Pingree G (eds) New Media, 1740 – 1915. London: The MIT Press. ISBN: 0262572281

Schinto, Jeanne (2002) ‘”Deviled ham untouched by hands”: food-related vintage stereoviews’ in Gastronomica: the journal of food and culture, 2:4, pp.53-59. http://dx.doi.org/10.1525/gfc.2002.2.4.53

Schwartz, Joan M. (1996) ‘The Geography Lesson: photographs and the construction of imaginative geographies’ in Journal of Historical Geography, 22:1, pp.16-45. http://dx.doi.org/10.1006/jhge.1996.0003

Seel, Peter B. (2010) ‘Visualizing the world in 3-D from stereoscope to the Super Bowl’ in Television Quarterly, 39:1, pp.4-12 http://www.tvquarterly.com

Senelick, Laurence (1999) ‘Double vision: Second Empire theatre in stereographs’ in Theatre Research International, 24:1, pp.82-88. http://dx.doi.org/10.1017/S0307883300020289

Silverman, Robert J. (1993) ‘The Stereoscope and photographic depiction in the 19th Century’ in Technology and Culture, 34:4, pp.729-756. http://www.jstor.org/stable/3106413

Smith, Lindsay (1989) ‘The Elusive depth of field: stereoscopy and the Pre-Raphaelities’ in Pointon, Marcia (ed.) Pre-Raphaelites Re-Viewed, Manchester: Manchester University Press, pp.84-99 ISBN: 978-0719028212

Smith, Sam. N. (2005) The books, Treatises and Manuals of Stereoscopy, self-published

Sobania, Neal (2002) ‘But where are the cattle? Popular images of Maasai and Zulus across the Twentieth Century.’ in Visual Anthropology, 15, pp.313-346. http://dx.doi.org/10.1080/08949460213915

Speer, Lance (1989) ‘Before holography: a call for visual literacy’ in Leonardo, 22:3/4, pp.299-306. http://www.jstor.org/stable/1575383

Spottiswoode, Raymond and Spottiswoode, Nigel (1953) The theory of stereoscopic transmission and its application to the motion picture, Berkeley & Los Angeles:University of California Press.

Stakelon, Pauline (2010) ‘Travel through the stereoscope: movement and narrative in topological stereoview collections of Europe.’ in Media History,16:4, pp.407-422. http://dx.doi.org/10.1080/13688804.2010.507476 

Stark, Amy E. (1981) ‘Lovell Augustus Reeve (1814-1865), publisher and patron of the stereograph’ in History of Photography,  5:1, pp.3-15

Steinbach, Leonard (2011) ‘3D or Not 3D? Is that a Question?’ in Curator: The Museum Journal, 54:1, pp.41-54. http://dx.doi.org/10.1111/j.2151-6952.2010.00065.x

Strain, Ellen (1996/1997) ‘Stereoscopic visions: touring the Panama Canal’ in Visual Anthropology Review, 12:2, pp.44-58 ISBN: 9780813531878. http://dx.doi.org/10.1525/var.1996.12.2.44

Strain, Ellen (2003) ‘Technological identification: stereography and the Panama Canal’ in Public places, private journeys: ethnography, entertainment and the tourist gaze, Rutgers University Press. ISBN: 9780813531878

Taylor, Owen K. (1953) Stereography: a bibliography compiled by a committee from four leading public libraries. New York: Stereoscopic Society of America

Teulade, Vincent, Bothun, Deborah K., Antarieu, Francois, Fenez, Marcel, Sharkey, Kenneth and Stokes, Phil (2010) 3D Here and Now… a goose that lays a golden egg?, Price Waterhouse Coopers. http://www.pwc.com/gx/en/entertainment-media/publications/3d-here-now.jhtml

Timby, Kim (2005) ‘Colour photography and stereoscopy: parallel histories’ in History of Photography, 29:2, pp.183-196.

Taft, Robert (1938) Photography and the American scene, 1839-1899, New York: Dover.

Trotter, David (2004) ‘Stereoscopy: Modernism and the ‘Haptic” in Critical Quarterly, 46:4, pp.38-58. http://dx.doi.org/10.1111/j.0011-1562.2004.00596.x

Turrill, Charles B. (1918) ‘An early California photographer: C.E. Watkins’ in  News Notes of California Libraries, 13:1, pp.29-37 http://archive.org/details/newsnotesofcalif13cali

VanderKnyff, Rick (2007) ‘Parlor illusions: stereoscopic views of Sub-Saharan Africa.’ in African Arts,40:3, pp.50-63. http://dx.doi.org/10.1162/afar.2007.40.3.50

Vincs, Kim and McCormick, John (2010) ‘Touching space: using motion capture and stereo projection to create a “Virtual Haptics” of dance’, in Leonardo, 43:4, pp.359-366. http://dx.doi.org/10.1162/LEON_a_00009

Vogt, Frederic. and Wagner, Alexander. Y. (2012) ‘Stereo pairs in astrophysics’, in  Astrophysics and Space Science, 337:1, pp.79-92. http://dx.doi.org/10.1007/s10509-011-0801-z

Wade, Nicholas J. (1983) Brewster and Wheatstone on vision, London: Published for Experimental Psychology Society by Academic Press. ISBN: 9780127295503

Wade, Nicholas J. (1987) ‘On the late invention of the stereoscope.’ in Perception, 16, pp.785-818.

http://www.perceptionjournal.com/perception/fulltext/p16/p160785.pdf

Wade, Nicholas J. and Ono, Hiroshi (1985) ‘The stereoscopic views of Wheatstone and Brewster’, in Psychological Research, 47, pp.125-133.http://dx.doi.org/10.1007/BF00309263

Wade, Nicholas J. (1987) ‘On the late invention of the stereoscope.’ in Perception, 16, pp.785-818. http://www.perceptionjournal.com/perception/fulltext/p16/p160785.pdf

Wade, Nicholas J. (2002) ‘Charles Wheatsone (1802-1875) [Guest editorial]‘ in Perception, 31, pp.265-272. http://www.perceptionweb.com/perception/editorials/p3901ed.pdf

Wade, Nicholas J. and Ono, Hiroshi (2012) ‘Early studies of binocular and stereoscopic vision’ in Japanese Psychological Research, 54:1, pp.54-70. http://dx.doi.org/10.1111/j.1468-5884.2011.00505.x

Wade, Nicholas J. (2012) ‘The ghost of Helioth and his stereoscope: the return of a phantom.’, in  Perception, 41:8, pp.1001-1002. http://dx.doi.org/10.1068/p7353

Wade, Nicholas J. (2012) ‘Wheatstone and the origins of moving stereoscopic images.’, in Perception, 41:8, pp.901-924. http://dx.doi.org/10.1068/p7270

Wajda, Shirley (1992) ‘A room with a viewer: the parlor stereoscope, comic stereographs, and the psychic role of play in Victorian America’ in Grover, Kathryn, (ed.) Hard at play: leisure in America, 1840-1940, Amherst: University of Massachusetts Press, pp.112-138 ISBN: 9780870237928

Waldsmith, John S. (2002) Stereo views: an illustrated history and price guide, 2nd ed. Iola, WI:Gazelle ISBN: 9780873494090

West, Nancy M. (1996) ‘Fantasy, photography, and the marketplace: Oliver Wendell Holmes and the stereoscope’ in Nineteenth-Century Contexts,19:3, pp.231-258. http://dx.doi.org/10.1080/08905499608583425

Wheatstone, Charles (1838) ‘Contributions to the physiology of vision, part the first: On some remarkable, and hitherto unobserved, phenomena of binocular vision’ in Philosophical Transactions of the Royal Society of London, 128, pp.371-394. http://www.jstor.org/stable/108203

Wheatstone, Charles (1852) ‘The Bakerian Lecture: Contributions to the physiology of vision, part the second: On some remarkable, and hitherto unobserved, phenomena of binocular vision’ in Philosophical Transactions of the Royal Society of London, 142, pp. 1-17. http://www.jstor.org/stable/108530

Willumson, Glenn G. (1988) ‘Alfred Hart: photographer of the Central Pacific Railroad’ in History of Photography, 12:1, pp.61-75. http://cprr.org/Museum/AA_Hart-Mead_Kibbey_CSLF/Willumson.html

Wing, Paul (1996) Stereoscopes: the first hundred years, Nashua, NH: Transition Publishing ISBN: 9780965449748

Woodcock, Rose (2011) ‘Predatory vision: 3D imaging and the transformation of screen-space’, in Text, 11. Pp. 1-10,  http://www.textjournal.com.au/speciss/issue11/Woodcock.pdf

Zettl, Herbert  (2012) ‘Why 3D may  Work Occasionally: Case Reopened’ in  Visual
Communication Quarterly, 19:3, pp.148-159. http://dx.doi.org/10.1080/15551393.2012.706573

Zone, Ray (2005) 3-D Filmmakers  Conversations With Creators Of Stereoscopic Motion Pictures, Oxford: The Scarecrow Press. ISBN: 0810854376

Zone, Ray (2007) Stereoscopic Cinema and the Origins of 3-D Film, Lexington: University Press of Kentucky. ISBN: 0813124611

Zone, Ray (2012) 3D revolution: the history of modern stereoscopic cinema, Lexington, KY: University Press of Kentucky. ISBN: 0813136113

Zone, Ray (2012) 3-DIY: stereoscopic moviemaking on an indie budget, Boston: Focal Press. ISBN: 0240817079

Theses

 

Babbitts, Judith (1987) “To see is to know”: stereographs educate Americans about East Asia, 1890-1940, unpublished thesis (PhD), Yale University.

Batzli, Samuel A. (1997) The visual voice: “Armchair tourism”, cultural authority and the depiction of the United States in Twentieth-century stereographs, unpublished thesis (PhD), University of Illinois at Urbana-Champaign.

Davis, Melody D. (2004) Doubling the vision: women and narrative stereography: the United States, 1870-1910, unpublished thesis (PhD), City University of New York.

Kempler, Susan (1991) America ‘discovers’ the world: James Ricalton’s ‘Travels on next to nothing’, 1844-1929, unpublished thesis (PhD), State University of New Jersey.

Layer, Harold A. (1970) Stereoscopy: an analysis of its history and its import to education and the communication process, unpublished thesis (D.Ed.), Indiana University.

Morton, Marilyn Faye (1998) The social stereoscope: issues in American cultural history, unpublished thesis (PhD), Emory University.

Rayfield, Beth (2004) ‘Her apparent admiration and the intensity of her gaze’: race, class and gender and the stereoscopic viewing experience, unpublished thesis (PhD), University of California at Irvine.

Salvesen, Britt (1997) Selling sight: stereoscopy in mid-Victorian Britain, unpublished thesis (PhD),  University of Chicago,

Schiavo, Laura Burd (2003) “A collection of endless extent and beauty”: stereographs, vision, taste and the American middle class, 1850-1880,  unpublished thesis (PhD)George Washington University, Columbian College of Arts and Sciences

 

Marketing

 

Holbrook, Morris B. (1997) ‘Three-dimensional stereographic visual displays in marketing and consumer research’ in Academy of Marketing Science Review, 1997: 1 http://www.amsreview.org/articles/holbrook1-1997.pdf

Holbrook, Morris B. (1997) ‘Stereographic visual displays and the three-dimensional communication of findings in marketing research’ in Journal of Marketing Research, 34, pp.526-536. http://www.jstor.org/stable/3151969

Holbrook, Morris B. (1998) ‘Marketing applications of three-dimensional stereography’ in Marketing Letters,9:1, pp.51-64. http://dx.doi.org/10.1023/A:1007968003940

Holbrook, Morris B. (1998) ‘Stereo 3D representations in postmodern marketing research’ in Marketing Intelligence and Planning,16:5, pp.298-310. http://dx.doi.org/10.1108/02634509810229919

Holbrook, Morris B. and Kuwahara, Takeo (1998) ‘Collective stereographic photo essays: an integrated approach to probing consumption experiences in depth’ in International Journal of Research in Marketing, 15, pp.201-221. http://dx.doi.org/10.1016/S0167-8116(98)00003-2

Holbrook, Morris B. and Kuwahara, Takeo (1999) ‘Probing explorations, deep displays, Virtual Reality, and profound insights: the four faces of stereographic three-dimensional images in marketing and consumer research’ in Advances in Consumer Research, 26, pp.240-250. http://www.acrwebsite.org/search/view-conference-proceedings.aspx?Id=8251

Holbrook, Morris B., Stephens, Debra Lynn, Day, Ellen, Holbrook, Sarah M. and Strazar, Gregor (2001) ‘A collective stereographic photo essay on key aspects of animal companionship: the truth about dogs and cats’ in Academy of Marketing Science Review, 2001:1 http://www.amsreview.org/articles/holbrook01-2001.pdf

Holbrook, Morris B. and Schindler, Robert M. (2003) ‘Nostalgic bonding: exploring the role of nostalgia in the consumption experience’ in Journal of Consumer Behaviour,3:2, pp.107-127. http://dx.doi.org/10.1002/cb.127

Yim, Mark Yi-Cheon, Cicchirillo, Vincent J. and Drumwright, Minette E. (2012) ‘The impact of stereoscopic three-dimensional (3-D) advertising: the role of presence in enhancing advertising effectiveness’, in Journal of Advertising, 41:2, pp.113-128. http://dx.doi.org/10.2753/JOA0091-3367410208