Stereoscopic Media

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Books and Articles

 

Acland, Charles (201o) ‘Avatar as Technological Tentpole’ in Flow, Jan 2010. http://flowtv.org/2010/01/avatar-as-technological-tentpole-charles-r-acland-concordia-university/

Adler, Dan, Marchessault, Janine and Obradovic, Sanja, (eds.) (2014) 3D cinema and beyond. Bristol:Intellect Press. ISBN: 9781783200399

Allison, Robert S., Laurie M. Wilcox and Ali Kazimi (2013) ‘Perceptual Artefacts, Suspension of Disbelief and Realism in Stereoscopic 3D Film’ in Public, 47, pp.149-160 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Arthur, Paul (1996) ‘In the realm of the senses: IMAX 3-D and the myth of total cinema’. Film Comment, 32:1, pp.78-81. http://search.proquest.com/docview/210258259

Asselin, Olivier and Louis Auger Gosselin (2013) ‘This Side of Paradise: Immersion and Emersion in S3D and AR’, in Public, 47, pp.132-141 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Atkinson, Sarah (2011) ‘Stereoscopic-3D Storytelling: rethinking the conventions, grammar and aesthetics of a new medium’ in Journal of Media Practice, 12:2, pp.139-156. http://dx.doi.org/10.1386/jmpr.12.2.139_1

Aubusson, Mathieu and Teulade, Vincent (2009) Eyes wide open: 3D tipping points loom  Paris: PricewaterhouseCoopers. http://www.pwccn.com/webmedia/doc/633943119973580316_em_3d_entertainment_nov2009.pdf

Autodesk (2008) Stereoscopic filmmaking whitepaper: The business and technology of stereoscopic filmmaking. Autodesk. http://images.autodesk.com/adsk/files/stereoscopic_whitepaper_final08.pdf

Aylsworth, Wendy L., Postley, Howard J., Sandrew, Barry B., Dobrin, Bruce E. and Husak, Walt (2013) ‘Stereographic digital cinema: production and exhibition techniques in 2012’, in Proceedings of the IEEE, 101:1, pp.169-189. http://dx.doi.org/10.1109/JPROC.2012.2191610

Babbitts, Judith (1994) ‘Made in America: a stereoscopic view of the United States’ in Nye, David and Gidley, Mick, (eds.), American photographs in Europe, Amsterdam: VU University Press, pp.41-56. ISBN 9053833048

Babbitts, Judith (2004) ‘Stereographs and the construction of a visual culture in the United States’ in Rabinovitz, Lauren and Geil, Abraham (eds.) Memory bytes: history, technology and digital culture. Durham, NC: Duke University Press, pp.126-149 ISBN 0822332418

Bak, Meredith A. (2012) ‘Democracy and discipline: Object lessons and the stereoscope in American education, 1870–1920’ in Early Popular Visual Culture, 10:2, pp.147-167 http://dx.doi.org/10.1080/17460654.2012.664746

Banks, Martin S., Read, Jenny. C. A., Allison, Robert S. and Watt, Simon J. (2012) ‘Stereoscopy and the human visual system’. SMPTE Motion Imaging Journal, 121:4, pp.24-43. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3490636/

Bantjes, Rod (2014) ‘Hybrid Projection, Machinic Exhibition and the Eighteenth-Century Critique of Vision.’ Art History 37:5, pp.912-39. http://dx.doi.org/10.1111/1467-8365.12099

Bantjes, Rod (2015) ‘Reading Stereoviews: The Aesthetics of Monstrous Space.’ History of Photography 39:1, pp.33-55. http://www.tandfonline.com/eprint/ZubRTA3CwIU5fjP7sBPz/full

Baylis, Gail (2012) ‘Exchanging looks: Gap girls and colleens in early Irish tourist photography’, Early Popular Visual Culture, 10:4, pp.325-343. http://dx.doi.org/10.1080/17460654.2012.724568

Belisle, Brooke (2013) ‘The Dimensional Image: Overlaps in Stereoscopic, Cinematic, and Digital Depth’, Film Criticism, 37/38:3/1, pp.117-137. http://filmcriticism.allegheny.edu/index.htm

Belisle, Brooke (2013) ‘The Total Archive: Picturing History from the Stereographic Archive to the Digital Database’, Mediascape, 11 pages, available: http://www.tft.ucla.edu/mediascape/Winter2013_PicturingHistory.html

Belisle, Brooke (2013) ‘Picturing networks: railroads and photographs’, AModern, 2: Network archaeology available: http://amodern.net/article/picturing-nineteenth-century-networks/

Belisle, Brooke (2014) ‘Depth readings: Ken Jacobs’s digital, stereographic films’. Cinema Journal, 53:2, pp.1-26. http://utpress.utexas.edu/index.php/journals/cinema-journal

Belton, John (2012) ‘Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase.’ in Film History: An International Journal 24.2, pp. 187-195. http://dx.doi.org/10.1353/fih.2012.0017

Bennet, Bruce (2013) ‘The normativity of 3D:  cinematic journeys, “imperial visuality” and unchained cameras‘ in Jump Cut, 55, np. http://www.ejumpcut.org/currentissue/Bennett-3D/index.html

Benson-Allott, Caetlin (2013) ‘Old Tropes in New Dimensions: Stereoscopy and Franchise Spectatorship’, Film Criticism, 37/38:3/1, pp.12-29. http://filmcriticism.allegheny.edu/index.htm

Benson-Allott, Caetlin (2016) ‘The CHORA Line: RealD Incorporated’ in Post-Cinema: Theorizing 21st-Century Film, ed. by Shane Denison and Julia Leyda (Falmer: REFRAME Books, 2016) ISBN:  978-0-9931996-2-2 http://reframe.sussex.ac.uk/post-cinema/3-3-benson-allott/

Biegon, Glenn (2005) ‘Stereoscopic synergy: twin-relief sculpture and painting’ in Leonardo, 38:2, pp.93-100. http://dx.doi.org/10.1162/0024094053722354

Block, Alexis (2009) ‘Put on your glasses: 3D in two generations’ in Animatrix: a journal of the UCLA Animation Workshop, 17, pp.15-24 http://animation.filmtv.ucla.edu/NewSite/WebPages/BackIssues/AnimBack017.html

Blundell, Barry G. (2011) About 3D Volumetric Displays, Walker & Wood Limited. ISBN: 9780473193768

Blundell, Barry G. (2011) 3D Displays and Spatial Interaction, Walker & Wood Limited. ISBN: 9780473177010. http://www.barrygblundell.com/

Bombeke, Klaas, Van Looy, Jan, Szmalec, Arnaud and Duyck, Wouter (2013) ‘Leaving the third dimension: no measurable evidence for cognitive aftereffects of stereoscopic 3D movies’.  Journal of the Society for Information Display, 21:4, pp.159-166. http://dx.doi.org/10.1002/jsid.164

Bowers, Brian (2001) Sir David Brewster, FRS, 1802-1875, 2nd rev. ed. London: Institution of Engineering and Technology. ISBN: 9780852961032

Bowles, Kate (2011) ‘‘Society with spectacles’: cultural memory, business risk and the revival of 3D’, Media International Australia, 139, pp.103-112.

Brewster, David (1844) ‘On the law of visible position in single and binocular vision, and on the representation of solid figures by the union of dissimilar plane pictures on the retina.’ in Transactions of the Royal Society of Edinburgh, 15, pp.349-368. http://archive.org/details/transactionsofro15roya

Brewster, David (1844) ‘On the knowledge of distance given by binocular vision.’ in Transactions of the Royal Society of Edinburgh, 15, pp.663-674. http://archive.org/details/transactionsofro15roya

Brewster, David (1849) ‘Account of a new stereoscope.’ in Report of the British Association [for the Advancement of Science]. Transactions of The Sections, pp.6-7.

Brewster, David (1852) ‘Binocular vision and the stereoscope’. North British Review, 33, pp.165-204.

Brewster, David, Wheatstone, Charles and others (1852) Article VII [9 contributions on] Binocular vision and the stereoscope. North British Review, 33, pp.165-204. http://archive.org/details/northbritishrev08unkngoog

Brewster, David (1856) The stereoscope: its history, theory and construction with its application to the fine and useful arts and education.  London: John Murray. https://archive.org/details/stereoscopeitsh00brewgoog

Brown, William (2012) ‘Avatar: Stereoscopic Cinema, Gaseous Perception and Darkness’ in Animation: an Interdisciplinary Journal, pp.259-271. http://dx.doi.org/10.1177/1746847712456254

Brunet, François (1994) ‘“Picture Maker of the Old West”: W. H. Jackson and the birth of photographic archives in the United States’ in Prospects, 19, pp.161-187. http://dx.doi.org/10.1017/S0361233300005093

Burnett, Ron (2013) ‘Transitions, Images and Stereoscopic 3D Cinema’ in Public, 47, pp.200-213 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Cameron, John B. (2004) ‘The Early Paper Stereographs of Claude-Marie Ferrier’. The Photogram, 31:5, pp.4-11. http://connection.ebscohost.com/c/articles/18919493/early-paper-stereographs-claude-marie-ferrier-1851-1861

Cameron, John B. and Schimmelman, Janice G. (2013) The early paper stereo views of Claude-Marie Ferrier, 1852-1858. The Collodion Press. ISBN: 9780982945643

Carville, Justin (2007) ‘Mr Lawrence’s Great Photographic Bazaar’, Early Popular Visual Culture, 5:3, pp.263-283. http://dx.doi.org/10.1080/17460650701633629

Casetti, Francesco and Antonio Somaini (2013) ‘The conflict between high definition and low definition in contemporary cinema’ in Convergence, 19:4, pp.415-422 http://dx.doi.org/10.1177/1354856513494174

Cernek, Stephen (2013) ‘From picturesque to profane: a cultural history of the Hudson River’s Palmer Falls.’ Hudson River Valley Review, 29:2, pp.52-70

Chapman, Owen and Alison Reiko Loader (2013) ‘Of Motors, Martians and Jazz Age Cuties: The Stereoscopic Inventions of Laurens Hammond’ in Public, 47, pp.110-121 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Choe, Steve (2011) ‘Embodying cinematic stereopsis: 3D and James Cameron’s Avatar’, Cinemascope: independent film journal, 7(15). [13 pages] http://www.cinemascope.it/Issue%2015/PDF/choe.pdf

Christie, Ian (2011) ‘Clash of the Wonderlands: 3D Cinema’ in Sight and Sound, Nov 2011. Available online at: http://old.bfi.org.uk/sightandsound/feature/49789

Christie, Ian (2014) ‘Will the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with special thanks to Eisenstein and Bazin)’ in Annie van den Oever (ed) Technē/Technology:Researching Cinema and Media Technologies – Their Development, Use, and Impact, Amsterdam: Amsterdam University Press, pp.115-135 ISBN 978908964 571 5

Clement, Jennifer and Long, Christian B. (2012) ‘Hugo, redemption and the cinema of attractions, or, The adaptation of Hugo Cabret’. Senses of Cinema, 63. http://sensesofcinema.com/2012/feature-articles/hugo-remediation-and-the-cinema-of-attractions-or-the-adaptation-of-hugo-cabret/

Clover, Joshua (2010) ‘The Struggle for Space’ in Film Quarterly, 63:3, pp.6-7. http://www.jstor.org/stable/10.1525/fq.2010.63.3.6

Craciun, Adriana (2014) ‘The Franklin Relics in the Arctic Archive’. Victorian Literature and Culture, 42:1, pp.1-31. http://dx.doi.org/10.1017/S1060150313000235

Crary, Jonathan (1992) Techniques of the observer: on vision and modernity in the nineteenth century, Cambridge MA: MIT Press ISBN: 0262031698

Criado, Enrique (2008) ‘Original and Creative Stereoscopic Film Making’, in Woods, Andrew J., Holliman, Nicolas S. and Merritt, John O., eds., Stereoscopic Displays and Applications XIX, 68030 article 68030U

Colligan, Colette  (2004) ‘Stereograph’. Victorian Review: an interdisciplinary journal of Victorian Studies, 34:1, pp.75-82.

Darrah, William Culp (1964) Stereo views: a history of stereographs in America and their collection, Gettysburg, PA:Times and News Publishing Co

Darrah, William Culp (1977) The world of stereographs, Gettysburg, PA: William C. Darrah ISBN: 9780965051316

Davis, Melody  D. (1998) ‘An essential reprint in stereography [review of “The World of stereographs” by William C. Darrah]’ in Art Journal, 57(3), pp.94-96. http://www.jstor.org/stable/777979

Davis, Melody (2011) ‘The new woman in American stereoviews, 1871-1905’ in Otto, E. and Rocco, V. (eds.) The new woman international: representations in photography and film from the 1870s through the 1960s,Ann Arbor: University of Michigan Press, pp.21-38

Davis, Melody (2015) Women’s views: the narrative stereograph in nineteenth-century America. Lebanaon, NH: University of New Hampshire Press. ISBN: 9781611688382/9781611688399

DeJohn, Matthew (n.d.) How to critique 3D
http://www.digitalcinemareport.com/stereoscopic-3D-differences

DeSouza, Clyde (2012) Think in 3D, CreateSpace ISBN 1470150778

Di Bello, Patrizia (2013) ‘“Multiplying Statues by Machinery”: Stereoscopic Photographs of Sculptures at the 1862 International Exhibition’, History of Photography, 37:4, pp.412-420. http://dx.doi.org/10.1080/03087298.2013.780750

Difford, Richard J. (2008) ‘Stereopsis and still-life’, Medical Sciences History, 24, pp.8-25.

Difford, Richard J. (2012) ‘In defence of pictorial space: stereoscopic photography and architecture in the Nineteenth century ‘ in Higgot, Andrew and Wray, Timothy, (eds.), Camera Constructs: Photography, Architecture and the Modern City, Farnham: Ashgate, 295-312. ISBN: 9781409421450

DiGiulio, Katherine (1990) ‘The representation of women in 19th and early 20th-century narrative stereographs.’ in Fellows, Fanny Knapp Allen (ed.) Ideas about images: essays on film and photography, Rochester, NY: Rochester Film and Photo Consortium, pp.2-18.

Duerfahrd, Lance (2013) ‘For Your Glasses Only: The Stewardesses and Sex in Three Dimensions’ in Public, 47, pp.161-173 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Duttlinger, Carolin (2005) ‘‘Die Ruhe des Blickes’: Brod, Kafka and the Kaiserpanorama’ in Emden, Christian and Midgley, David (eds.) Technology and the German cultural imagination: papers from the conference ‘The Fragile Imagination’, Cambridge, 2002, Oxford: Peter Lang ISBN: 9783039101702

Earle, Edward E. (ed.) (1979) Points of view: the stereograph in America: a cultural history, Rochester, New York: Visual Studies Workshop Press ISBN: 9780898220063

Eisenstein, Sergei M. (1949) ‘On stereoscopic cinema’ in Penguin Film Review, No.8, January, pp.35-45.

Eisenstein, Sergei (2013) ‘On Stereoscopic Cinema (1947)’ in Public, 47, pp.20-59 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Elsaesser, Thomas (2010) ‘The dimension of depth and objects rushing towards us.  Or: The Tail that wags the dog: a discourse on digital 3-D cinema’. eDIT Filmmaker’s Magazine, 1 available: http://www.filmmakersfestival.com/en/magazine/ausgabe-1202/the-dimension-of-depth.html

Elsaesser, Thomas (2011) ‘James Cameron’s Avatar: Access for all’ in New Review of Film and Television Studies, 9:3, pp. 247-264. http://dx.doi.org/10.1080/17400309.2011.585854

Elsaesser, Thomas (2012) ‘The “Return” of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century’ in Critical Inquiry, 39:2, pp.217-246 criticalinquiry.uchicago.edu/uploads/pdf/Elsaesser.pdf

Elsaesser, Thomas (2013) ‘Critical Response II: Response to Miriam Ross’, Critical Inquiry, 39:4, pp.878-883. http://dx.doi.org/10.1086/671359

Engber, Daniel (2015) ‘The misunderstanding of 3-D’. The New Yorker, 2nd June http://www.newyorker.com/culture/cultural-comment/the-misunderstanding-of-3-d

Engle, Rob (2008) ‘Beowulf 3D: a case study’. Proceedings of the SPIE 6803. http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=810628

Engle, Rob and Lipton, Lenny (2014) ‘Stereoscopic 3D’ in Okun, Jeffery A. and Zwerman, Susan, eds., The Visual Effects Society handbook of visual effects, 2nd ed.  Abingdon: Focal Press, pp.447-541. ISBN: 97802408125182

Enyedi, Delia (2016) ‘3D Attractions: Recycling the Monomyth in Post-Cinema.’ Ekphrasis. Images, Cinema, Theory, Media, 16:2: pp.73–83.

Erasmus, H. J. (2012) ‘The Underwood & Underwood stereographs of the Anglo-Boer War, 1899-1902’, South African Journal of Cultural History, 26:2, pp.61-82.

Ferragallo, Roger (1972) ‘A manifesto directed to the new aesthetics of stereo space in the visual arts and the art of painting’ http://www.ferragallo.com/indexflash.html

Ferragallo, Roger (1974) ‘On stereoscopic painting’ in Leonardo, 7:2, pp.97-104 http://www.jstor.org/stable/1572788

Fisher, Kevin (2014) ‘The ecstatic Gestalt in Werner Herzog’s Cave of Forgotten Dreams‘. Refractory: a Journal of Entertainment Media, 24  http://refractory.unimelb.edu.au/2014/08/06/fisher/

Flores, Victor (2016) ‘The Animation of the Photographic: Stereoscopy and Cinema. The Experiments of Aurélio Da Paz Dos Reis’ in Early Popular Visual Culture, 14:1, pp.87–106 http://dx.doi.org/10.1080/17460654.2015.1124047

Flueckiger, Barbara (2012) ‘Aesthetics of Stereoscopic Cinema’ in  Projections, 6:1, pp. 101-122 http://dx.doi.org/10.3167/proj.2012.060104

Fowles, Jib (1994) ‘Stereography and the standardization of vision’ in The Journal of American Culture, 17:2, pp.89-93 http://dx.doi.org/10.1111/j.1542-734X.1994.00089.x

Freeland, Cynthia (2012) ‘On being stereoblind in an era of 3D movies’.  Essays in Philosophy, 13:2, pp.550-576 http://dx.doi.org/10.7710/1526-0569.1437

Friedel, Megan K. and Toedtemeier, Terry (2008) ‘Picturing Progress: Carleton Watkins’s 1867 Stereoviews of the Columbia River Gorge’ in Oregon Historical Quarterly 109:3, pp.388-411
http://www.jstor.org/stable/20615876

Furmanek, Bob and Kintz , Greg (n.d.) ‘An in-depth look at Creature from the black lagoon‘. [online], available: http://www.3dfilmarchive.com/an-in-depth-look-at-creature-from-the-black-lagoon-1

Furmanek, Bob and Kintz , Greg (n.d.) ‘An in-depth look at Dial M for Murder‘. [online], available: http://www.3dfilmarchive.com/dial-m-blu-ray-review

Furmanek, Bob and Kintz , Greg (n.d.) ‘An in-depth look at House of Wax‘. [online], available: http://www.3dfilmarchive.com/House-of-Wax

Furmanek, Bob and Theakston, Jack (n.d.) ‘The 3-D release of Hondo‘. [online], available: http://www.3dfilmarchive.com/home/hondo-3-d-release

Gadassik, Alla (2013) ‘Anticipation of Contact: Pina 3D and Stereoscopic Cinematography’ in Public, 47, pp.174-185 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Gardner, Brian (2009) ‘Perception and the art of 3D storytelling’,
Creative Cow, pp.8-15, https://library.creativecow.net/gardner_brian/magazine_3d_storytelling/1

Garrison, Laurie (2007) ‘The Visual subject, c.1810–1840: trends in Romanticism and Victorianism’ in Literature Compass, 4:4, pp.1078–1091. http://dx.doi.org/10.1111/j.1741-4113.2007.00461.x

Godbey, Emily (2012) ‘“Terrible Fascination”: Civil War stereographs of the dead’ in History of Photography, 36:3, pp.265-274. http://dx.doi.org/10.1080/03087298.2012.672225

Goldberg, Tyler and Clemons, Angel (2010) ‘Cataloging in stereo: metadata for stereographs’, in Microform and Imaging Review, 39:3, pp.86-97. http://dx.doi.org/10.1515/mfir.2010.013

Goldsborough, Gordon (2007) ‘Victorian virtual reality’ in Manitoba History, 54, pp.30-38 http://www.mhs.mb.case/docs/mb_history/54/victorianvirtualreality.shtml

Gosser, Mark H. (1977) Selected Attempts at Stereoscopic Moving Pictures and their Relationships to Cinema, New York: Arno ISBN 0405098901

Graver, Bruce (2009) ‘Wordsworth, Scott, and the stereographic picturesque’ in Literature Compass, 6(4), pp.896–926. http://dx.doi.org/10.1111/j.1741-4113.2009.00645.x

Griffiths, Alison (2013) ‘Sensual Vision : 3-D, Medieval Art, and the Cinematic Imaginary’, Film Criticism, 37/38:3/1,pp. 60-86. http://filmcriticism.allegheny.edu/index.htm

Guiness, Selina (2004) ‘Ireland through the stereoscope: reading the cultural politics of theosophy in the Irish literary revival’ in Fitzsimon Taylor, Betsey and Murphy, James H., eds., The Irish revival reappraised, Dublin: Four Courts Press, pp.19-32. ISBN 1851827579

Gunning, Tom (2001) ‘Doubled Vision: Peering through Kentridge’s Stereoscope, Parkett, 63, pp.66-81 http://www.parkettart.com/books/63-volume.html

Gurevitch, Leon (2012) ‘The Birth of a Stereoscopic Nation: Hollywood, Digital Empire and the Cybernetic Attraction’ in Animation: an interdisciplinary journal, 7: 3, pp.239-258. http://dx.doi.org/10.1177/1746847712456255

Gurevitch, Leon (2013) ‘The stereoscopic attraction: Three-dimensional imaging and the spectacular’ in Convergence, 19:4, pp.396-405 http://dx.doi.org/ 10.1177/1354856513494175

Gurevitch, Leon and Miriam Ross (2013) ‘Stereoscopic Media: Scholarship Beyond Booms and Bust’ in Public, 47, pp.72-82 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Hackemann, Rebecca (2013) ‘The Fictional Referent as Signifier in 3D Photography’ in Public, 47, pp.ii-iv http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Hainge, Greg (2013) ‘On Noise and Photography. Forest, Fuzz, Ruff’ in Greg Hainge, Noise Matters: Towards an Ontology of Noise, New York: Bloomsbury Academic, pp.209-239

Hall, Sheldon (2004) ‘Dial M for Murder’ in Film History, 16:3, pp.243-255 http://www.jstor.org/stable/3815536

Hallett, Michael (1986) ‘John Benjamin Dancer 1812-1887: a perspective’ in History of Photography, 10:3, pp.237-255.

Hamessley, Lydia (2007) ‘Double vision: banjos, guitars, and mandolins in late 19th-Century stereoviews’ in Fretboard Journal, 8, pp.108-114 http://www.fretboardjournal.com/store/issue-8-winter-2007

Hamessley, Lydia (2007) ‘Within sight: three-dimensional perspectives on women and banjos in the late nineteenth century’ in 19th-Century Music, 31:2, pp.131-163. http://dx.doi.org/10.1525/ncm.2007.31.2.131

Hamilton, George E. (1949) Oliver Wendell Holmes, his pioneer stereoscope and the later industry, New York: Newcomen Society

Hankins, Thomas L. and Silverman, Robert  J. (1995) ‘The giant eyes of science: the stereoscope and photographic depiction in the nineteenth century’ in Hankins, Thomas L. and Silvermaan, Robert  J., (eds.), Instruments and the imagination, Princeton: Princeton University Press, pp.148-177 ISBN: 9780691005492

Hanson, David A. (1985) ‘Early Photolithographic Stereographs in America: William and Frederick Langenheim and A. A. Turner’, History of Photography, 9:2, pp. 131-140.

Haralambidou, Penelope (2007) ‘The stereoscopic veil’ in Architectural Research Quarterly, 11:1, pp.36-52 http://dx.doi.org/10.1017/S1359135507000486

Haralambidou, Penelope (2012) ‘Stereoscopy and the architecture of visual space’ in Higgot, Andrew and Wray, Timothy, (eds.), Camera constructs: photography, architecture and the modern city, Farnham: Ashgate, pp.313-330. ISBN: 9781409421450

Harden, Fred (1983) ‘Stereoscopic cinema’, Cinema Papers, 43, pp.134-139.

Hawkins, Richard C. (1953) ‘Perspective on “3-D”‘ in The Quarterly of Film, Radio and Television,7:4, pp.325-334. http://dx.doi.org/10.2307/1210004

Hayes, R. M. (1989) 3-D Movies: A History and Filmography of Stereoscopic Cinema, London: St James Press ISBN 0786405783

Heffernan, Kevin (2004) Ghouls, gimmicks and gold: horror films and the American movie business, 1953-1968. Durham, NC:Duke University Press. ISBN: 9780822332152/9780822332022

Heilbrun, Francoise (2009) ‘Impressionism and photography’ in History of Photography, 33:1, pp.18-25 http://dx.doi.org/10.1080/03087290802582889

Hibbert, William (2004) Jacques Henri Lartigue: hidden depths. London: Design for Life.  ISBN: 978-0954678807

Higgins, S. (2012) ‘3D in Depth: Coraline, Hugo, and a Sustainable Aesthetic’ in  Film History: An International Journal24:2, 196-209. http://dx.doi.org/10.1353/fih.2012.0009

Hoelscher, Steven (1998) ‘The photographic construction of tourist space in Victorian America’ in Geographical Review, 88:4, pp.548-570 http://www.jstor.org/stable/215712

Holmberg, Jan (2003) ‘Ideals of immersion in early cinema’. Cinémas : revue d’études cinématographiques / Cinémas: Journal of Film Studies, 14:1, pp.129-147. http://connection.ebscohost.com/c/articles/19565670/ideals-immersion-early-cinema

Holmes, Oliver Wendell (1859), ‘The Stereoscope and the Stereograph‘, Atlantic Monthly, 3, pp.738-48 http://www.theatlantic.com/magazine/archive/1859/06/the-stereoscope-and-the-stereograph/303361/

Holmes, Oliver Wendell (1861) ‘Sun-Painting and Sun-Sculpture; With a Stereoscopic Trip Across the Atlantic‘, Atlantic Monthly, pp.13-29

Hood, M.V.J. and Haas, Robert Bartlett (1963) ‘Eadweard Muybridge’s Yosemite Valley photographs, 1867-1872’ in California Historical Society Quarterly, 42:1, pp.5-26.http://www.jstor.org/stable/25155515

Hubbard, Melanie (2005) ‘”Turn it a little”: the influence of the Daguerreotype and the stereograph on Emily Dickinson’s use of manuscript variants’, in Mosaic: a journal for the interdisciplinary study of literature, 38:1, pp.115-132.

Huffman, Wendell W. (2012) Waiting for the cars: Alfred A. Hart’s Stereoscopic Views of the Central Pacific Railroad, 1863-1869. Carson City, NV: Nevada State Railroad Museum. ISBN: 9780972877336

Ionnidis, Kostas and Mouzakti, Elini (2015) ‘Greece through the stereoscope: constituting spectatorship theought texts and images’. in Carrabot, Philip, Hamilakis, Yannis and Papargyriou, Eleni, eds., Camera graeca: photographs, narratives, materialities. Farnham, Surrey: Ashgate, pp.159-168. ISBN: 9781472424761

Jackman, Anna Hamilton (2015) ‘3D cinema: immersive media technology’. Geojournal, http://dx.doi.org/10.1007/s10708-015-9651-5

Jenkins, H. F. (1957) Two points of view: the history of the parlor stereoscope, Elmira, NY: World in Color Productions.

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Siegel, Nancy (2005) ‘”I never had so difficult a picture to paint”: Albert Bierstadt’s White Mountain Scenery and The Emerald Pool’. Nineteenth-Century Art Worldwide: a journal of nineteenth-century visual culture 4:3, http://19thc-artworldwide.org/autumn05/58-autumn05/autumn05article/210-qi-never-had-so-difficult-a-picture-to-paintq-albert-bierstadts-white-mountain-scenery-and-the-emerald-pool

Silverman, Robert J. (1993) ‘The Stereoscope and photographic depiction in the 19th Century’ in Technology and Culture, 34:4, pp.729-756. http://www.jstor.org/stable/3106413

Smith, David Harris (2013) ‘Colin Low and Transitions 3D: Innovating Immersive Cinema’ in Public, 47, pp.142-148 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Smith, Lindsay (1989) ‘The Elusive depth of field: stereoscopy and the Pre-Raphaelities’ in Pointon, Marcia (ed.) Pre-Raphaelites Re-Viewed, Manchester: Manchester University Press, pp.84-99 ISBN: 978-0719028212

Smith, Michael D., Ludé, Peter and Hogan, Bill (2011) 3D cinema and television technology: the first 100 years, White Plains, N.Y.: SMPTE (Society of Motion Picture and Television Engineers) ISBN: 9781614829003

Smith, Sam. N. (2005) The books, Treatises and Manuals of Stereoscopy, self-published

Sobania, Neal (2002) ‘But where are the cattle? Popular images of Maasai and Zulus across the Twentieth Century.’ in Visual Anthropology, 15, pp.313-346. http://dx.doi.org/10.1080/08949460213915

Sobieraj, Sabrina and Krämer, Nicole C. (2014) ‘Do 3D moviegoers enjoy screenings more than 2D moviegoers?—On the impact of 3D fantasy movie perception on enjoyment’.  Presence: Teleoperators and Virtual Environments, 23:4, pp.430-448, http://dx.doi.org/10.1162/PRES_a_00210

Speer, Lance (1989) ‘Before holography: a call for visual literacy’ in Leonardo, 22:3/4, pp.299-306. http://www.jstor.org/stable/1575383

Spottiswoode, Raymond (1952) ‘Progress in three-dimensional films at the Festival of Britain’, Journal of the SMPTE, 58, pp.291-303. http://dx.doi.org/10.5594/J01197

Spottiswoode, Raymond, Spottiswoode, Nigel and Smith, Charles W. (1952) ‘Basic principles of the three-dimensional film’, Journal of the SMPTE, 59, pp.249-286. http://dx.doi.org/10.5594/J01778

Spottiswoode, Raymond and Spottiswoode, Nigel (1953) The theory of stereoscopic transmission and its application to the motion picture, Berkeley & Los Angeles:University of California Press.

Stakelon, Pauline (2010) ‘Travel through the stereoscope: movement and narrative in topological stereoview collections of Europe.’ in Media History,16:4, pp.407-422. http://dx.doi.org/10.1080/13688804.2010.507476 

Stark, Amy E. (1981) ‘Lovell Augustus Reeve (1814-1865), publisher and patron of the stereograph’ in History of Photography,  5:1, pp.3-15

Steinbach, Leonard (2011) ‘3D or Not 3D? Is that a Question?’ in Curator: The Museum Journal, 54:1, pp.41-54. http://dx.doi.org/10.1111/j.2151-6952.2010.00065.x

Strain, Eileen (1996) ‘Exotic bodies, distant landscapes: touristic viewing and popularized anthropology in the nineteenth century’. Wide Angle, 18:2, pp.70-100. http://muse.jhu.edu/journals/wide_angle/v018/18.2strain.html

Strain, Ellen (1996/1997) ‘Stereoscopic visions: touring the Panama Canal’ in Visual Anthropology Review, 12:2, pp.44-58 ISBN: 9780813531878. http://dx.doi.org/10.1525/var.1996.12.2.44

Strain, Ellen (2003) ‘Technological identification: stereography and the Panama Canal’ in Public places, private journeys: ethnography, entertainment and the tourist gaze, Rutgers University Press. ISBN: 9780813531878

Tagg, John (2012) ‘The Archiving Machine; or, The Camera and the Filing Cabinet’. Grey Room, 47, pp.24-37. http://dx.doi.org/10.1162/GREY_a_00068

Taft, Robert (1938) Photography and the American scene, 1839-1899, New York: Dover.

Taylor, Owen K. (1953) Stereography: a bibliography compiled by a committee from four leading public libraries. New York: Stereoscopic Society of America

Taylor, Roger (1981) George Washington Wilson, artist and photographer, 1823-1893. Aberdeen:Aberdeen University Press.  ISBN: 0080257607

Telotte, J. P. (2004) ‘Making tele-contact: 3D film and The Creature from the Black Lagoon‘. Extrapolation, 45:3, pp.294-304. http://connection.ebscohost.com/c/articles/15984720/making-tele-contact-3-d-film-and-creature-from-black-lagoon

Teulade, Vincent, Bothun, Deborah K., Antarieu, Francois, Fenez, Marcel, Sharkey, Kenneth and Stokes, Phil (2010) 3D Here and Now… a goose that lays a golden egg?, Price Waterhouse Coopers. http://www.pwc.com/gx/en/entertainment-media/publications/3d-here-now.jhtml

Timby, Kim (2005) ‘Colour photography and stereoscopy: parallel histories’ in History of Photography, 29:2, pp.183-196.

Timby, Kim (2012) ‘”Cinema in a single photo”: the animated screen portrait of the 1910s’. in Lugon, Olivier and Guido, Laurent, eds., Between still and moving images. New Barnet: John Libbey, pp.97-111. ISBN: 9780861967070

Timby, Kim (2015) 3D and animated lenticular photography: between Utopia and entertainment. Berlin, Boston: De Gruyter. ISBN: 9783110448078/9783110413069

Tongue, Michael (2006) 3D expo 1862: a magical journey to Victorian England.  Stockholm: Discovery Books. ISBN: 9789197211826

Tooming, Peeter (1992) ‘The Stereo-photographs of Edmund Russow’. History of Photography, 16:2, pp.183-184.

Trotter, David (2004) ‘Stereoscopy: Modernism and the ‘Haptic” in Critical Quarterly, 46:4, pp.38-58. http://dx.doi.org/10.1111/j.0011-1562.2004.00596.x

Tryon, Chuck (2013) ‘Reboot Cinema’ in Convergence, 19:4, pp.432-437 http://dx.doi.org/ 10.1177/1354856513494179

Turnacker, Katalin (2014) ‘Harmony of Senses – 3D Documentaries of Herzog and Wenders’, Acta Universitatis Sapientiae, Film and Media Studies, 8:1, pp.97-111 http://dx.doi.org/10.2478/ausfm-2014-0028

Turnock, Julie (2013) ‘ Removing the Pane of Glass: The Hobbit, 3D High Frame Rate Filmmaking, and the Rhetoric of Digital Convergence’, Film Criticism, 37/38:3/1, pp.30-59. http://filmcriticism.allegheny.edu/index.htm

Turrill, Charles B. (1918) ‘An early California photographer: C.E. Watkins’ in  News Notes of California Libraries, 13:1, pp.29-37 http://archive.org/details/newsnotesofcalif13cali

Uricchio, William (2011) ‘A ‘proper point of view’: The panorama and some of its early media iterations’, Early Popular Visual Culture, 9:3, pp.225-238. http://dx.doi.org/10.1080/17460654.2011.601165

VanderKnyff, Rick (2007) ‘Parlor illusions: stereoscopic views of Sub-Saharan Africa.’ in African Arts,40:3, pp.50-63. http://dx.doi.org/10.1162/afar.2007.40.3.50

Vivian, Cassandra (2003) ‘Keystone View Company, purveyors of fine images’. Western Pennsylvania History, 86:3, pp.30-40. http://journals.psu.edu/wph/article/view/7547/7320

Vincs, Kim and McCormick, John (2010) ‘Touching space: using motion capture and stereo projection to create a “Virtual Haptics” of dance’, in Leonardo, 43:4, pp.359-366. http://dx.doi.org/10.1162/LEON_a_00009

Vogt, Frederic. and Wagner, Alexander. Y. (2012) ‘Stereo pairs in astrophysics’, in  Astrophysics and Space Science, 337:1, pp.79-92. http://dx.doi.org/10.1007/s10509-011-0801-z

Wade, Nicholas J. (1983) Brewster and Wheatstone on vision, London: Published for Experimental Psychology Society by Academic Press. ISBN: 9780127295503

Wade, Nicholas J. (1987) ‘On the late invention of the stereoscope.’ in Perception, 16, pp.785-818. http://www.perceptionjournal.com/perception/fulltext/p16/p160785.pdf

Wade, Nicholas J. and Ono, Hiroshi (1985) ‘The stereoscopic views of Wheatstone and Brewster’, in Psychological Research, 47, pp.125-133.http://dx.doi.org/10.1007/BF00309263

Wade, Nicholas J. (1987) ‘On the late invention of the stereoscope.’ in Perception, 16, pp.785-818. http://www.perceptionjournal.com/perception/fulltext/p16/p160785.pdf

Wade, Nicholas J. (2002) ‘Charles Wheatsone (1802-1875) [Guest editorial]’ in Perception, 31, pp.265-272. http://www.perceptionweb.com/perception/editorials/p3901ed.pdf

Wade, Nicholas J. and Ono, Hiroshi (2012) ‘Early studies of binocular and stereoscopic vision’ in Japanese Psychological Research, 54:1, pp.54-70. http://dx.doi.org/10.1111/j.1468-5884.2011.00505.x

Wade, Nicholas J. (2012) ‘The ghost of Helioth and his stereoscope: the return of a phantom.’, in  Perception, 41:8, pp.1001-1002. http://dx.doi.org/10.1068/p7353

Wade, Nicholas J. (2012) ‘Wheatstone and the origins of moving stereoscopic images.’, in Perception, 41:8, pp.901-924. http://dx.doi.org/10.1068/p7270

Wade, Nicholas J. (2013) ‘The Experimental Origins of Cinema, Stereo and their Combination’ in Public, 47, pp.60-71 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Wajda, Shirley (1992) ‘A room with a viewer: the parlor stereoscope, comic stereographs, and the psychic role of play in Victorian America’ in Grover, Kathryn, (ed.) Hard at play: leisure in America, 1840-1940, Amherst: University of Massachusetts Press, pp.112-138 ISBN: 9780870237928

Waldsmith, John S. (2002) Stereo views: an illustrated history and price guide, 2nd ed. Iola, WI:Gazelle ISBN: 9780873494090

Walters, Ben (2009) ‘The great leap forward’. Sight and Sound, 19:3, pp.38-43. http://search.proquest.com/docview/1839605?accountid=14782

Wasielewski, Amanda (2015) ‘Lurking Within Reach: Stereoscopic Photomicrography in the 1860s’. History of Photography 39:1, pp.56-70, http://dx.doi.org/10.1080/03087298.2014.996379

Wasson, Haidee (2013) ‘Industrial Magic and Light: 3D at the New York’s World Fair (1939)’ in in Public, 47, pp.123-131 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Weetch, Owen (2012) ‘Reading Parallax: 3D Meaning Construction in The Hole’ in CineAction, 89,  pp. 14-21 http://www.cineaction.ca/89-3d-cgi/

Weetch, Owen (2016) Expressive Spaces in Digital 3D Cinema, London: Palgrave Macmillan UK. ISBN: 978-1-137-54266-3

Wenders, Wim (2013) A Film for Pina: Keynote of the Toronto International Stereoscopic 3D Conference’ in Public, 47, pp.214-235 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

West, Nancy M. (1996) ‘Fantasy, photography, and the marketplace: Oliver Wendell Holmes and the stereoscope’ in Nineteenth-Century Contexts,19:3, pp.231-258. http://dx.doi.org/10.1080/08905499608583425

Wheatstone, Charles (1838) ‘Contributions to the physiology of vision, part the first: On some remarkable, and hitherto unobserved, phenomena of binocular vision’ in Philosophical Transactions of the Royal Society of London, 128, pp.371-394. http://www.jstor.org/stable/108203

Wheatstone, Charles (1852) ‘The Bakerian Lecture: Contributions to the physiology of vision, part the second: On some remarkable, and hitherto unobserved, phenomena of binocular vision’ in Philosophical Transactions of the Royal Society of London, 142, pp. 1-17. http://www.jstor.org/stable/108530

Whissel, Kristen (2013) ‘Guest editor’s introduction: genealogical and archaeological approaches to 3-D’, Film Criticism, 37/38: 3/1, pp.6-11. http://filmcriticism.allegheny.edu/index.htm

Whissel, Kristen (2016) ‘Parallax Effects: Epistemology, Affect and Digital 3D Cinema’ Journal of Visual Culture 15:2, 233–249. http://dx.doi.org/10.1177/1470412916654512

White, Kenneth (2013) ‘Muybridge’s Enthalpy’ in Public, 47, pp.94-109 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Wilcox, Laurie M., Allison, Robert S., Helliker, John, Dunk, Bert and Anthony, Roy C. (2015) ‘Evidence that Viewers Prefer Higher Frame-Rate Film’.  ACM Transactions on Applied Perception, 12:4, pp.1-12, http://dx.doi.org/10.1145/2810039

Willumson, Glenn G. (1988) ‘Alfred Hart: photographer of the Central Pacific Railroad’ in History of Photography, 12:1, pp.61-75. http://cprr.org/Museum/AA_Hart-Mead_Kibbey_CSLF/Willumson.html

Willumson, Glenn (2013) Iron Muse: photographing the Transcontinental Railroad.  Berkeley: University of California Press.  ISBN: 9780520270947

Wing, Paul (1996) Stereoscopes: the first hundred years, Nashua, NH: Transition Publishing ISBN: 9780965449748

Wittlief, Kenneth (2007) ‘Stereoscopic 3D film and animation: getting it right’.  SIGGRAPH Computer Graphics, 41:3, pp.2, http://dx.doi.org/10.1145/1281324.1281326

Wood, Aylish (2015) ‘Intangible spaces: Three-dimensional technology in Hugo and IMAX in The Dark Knight’.  Convergence: the International Journal of Research into New Media Technologies , 21:2, pp.169-181, http://dx.doi.org/10.1177/1354856513501414

Woodcock, Rose (2011) ‘Predatory vision: 3D imaging and the transformation of screen-space’, in Text, 11. Pp. 1-10,  http://www.textjournal.com.au/speciss/issue11/Woodcock.pdf

Woods, Andrew J. (2013) ‘3D or 3-D: a study of terminology, usage and style’ in European Science Editing 39(3), pp 59-62

Zettl, Herber (2012) ‘Why 3D may  Work Occasionally: Case Reopened’ in  Visual
Communication Quarterly, 19:3, pp.148-159. http://dx.doi.org/10.1080/15551393.2012.706573

Zone, Ray (2005) 3-D Filmmakers  Conversations With Creators Of Stereoscopic Motion Pictures, Oxford: The Scarecrow Press. ISBN: 0810854376

Zone, Ray (2007) Stereoscopic Cinema and the Origins of 3-D Film, Lexington: University Press of Kentucky. ISBN: 0813124611

Zone, Ray (2012) 3D revolution: the history of modern stereoscopic cinema, Lexington, KY: University Press of Kentucky. ISBN: 0813136113 http://muse.jhu.edu/books/9780813136127

Zone, Ray (2012) 3-DIY: stereoscopic moviemaking on an indie budget, Boston: Focal Press. ISBN: 0240817079

Zone, Ray (2013) ‘Avant-3D: Notes on the Experimental Stereoscopic Cinema and its Relation to Other Arts’ in Public, 47, pp.72-82 http://www.publicjournal.ca/47-3d-cinema-and-beyond/

Theses

 

Babbitts, Judith (1987) “To see is to know”: stereographs educate Americans about East Asia, 1890-1940, unpublished thesis (PhD), Yale University.

Batzli, Samuel A. (1997) The visual voice: “Armchair tourism”, cultural authority and the depiction of the United States in Twentieth-century stereographs, unpublished thesis (PhD), University of Illinois at Urbana-Champaign.

Camfield, Nick (2014 ) 3DTV Year One: orce, Resistance, and MediaTechnology, unpublished thesis (PhD), University of Nottingham

Davis, Melody D. (2004) Doubling the vision: women and narrative stereography: the United States, 1870-1910, unpublished thesis (PhD), City University of New York.

Kempler, Susan (1991) America ‘discovers’ the world: James Ricalton’s ‘Travels on next to nothing’, 1844-1929, unpublished thesis (PhD), State University of New Jersey.

Layer, Harold A. (1970) Stereoscopy: an analysis of its history and its import to education and the communication process, unpublished thesis (D.Ed.), Indiana University.

Morton, Marilyn Faye (1998) The social stereoscope: issues in American cultural history, unpublished thesis (PhD), Emory University.

Rayfield, Beth (2004) ‘Her apparent admiration and the intensity of her gaze’: race, class and gender and the stereoscopic viewing experience, unpublished thesis (PhD), University of California at Irvine.

Salvesen, Britt (1997) Selling sight: stereoscopy in mid-Victorian Britain, unpublished thesis (PhD),  University of Chicago,

Schiavo, Laura Burd (2003) “A collection of endless extent and beauty”: stereographs, vision, taste and the American middle class, 1850-1880,  unpublished thesis (PhD)George Washington University, Columbian College of Arts and Sciences

Sexton, Nanette M. (1982) Carleton E. Watkins: pioneer California photographer (1829-1916): a study in the evolution of photographic style, during the first decade of wet plate photography, unpublished PhD thesis Harvard University.

Weetch, Owen (2013) Spectacle, Narrative, and Meaning Construction in Contemporary 3D Cinema, unpublished PhD thesis University of Warwick.

Whitney, Alison Patricia (2005) The eye of Daedalus: a history and theory of IMAX cinema. unpublished PhD thesis University of Chicago.

Marketing

 

Holbrook, Morris B. (1997) ‘Three-dimensional stereographic visual displays in marketing and consumer research’ in Academy of Marketing Science Review, 1997: 1 http://www.amsreview.org/articles/holbrook1-1997.pdf

Holbrook, Morris B. (1997) ‘Stereographic visual displays and the three-dimensional communication of findings in marketing research’ in Journal of Marketing Research, 34, pp.526-536. http://www.jstor.org/stable/3151969

Holbrook, Morris B. (1998) ‘Marketing applications of three-dimensional stereography’ in Marketing Letters,9:1, pp.51-64. http://dx.doi.org/10.1023/A:1007968003940

Holbrook, Morris B. (1998) ‘Stereo 3D representations in postmodern marketing research’ in Marketing Intelligence and Planning,16:5, pp.298-310. http://dx.doi.org/10.1108/02634509810229919

Holbrook, Morris B. and Kuwahara, Takeo (1998) ‘Collective stereographic photo essays: an integrated approach to probing consumption experiences in depth’ in International Journal of Research in Marketing, 15, pp.201-221. http://dx.doi.org/10.1016/S0167-8116(98)00003-2

Holbrook, Morris B. and Kuwahara, Takeo (1999) ‘Probing explorations, deep displays, Virtual Reality, and profound insights: the four faces of stereographic three-dimensional images in marketing and consumer research’ in Advances in Consumer Research, 26, pp.240-250. http://www.acrwebsite.org/search/view-conference-proceedings.aspx?Id=8251

Holbrook, Morris B., Stephens, Debra Lynn, Day, Ellen, Holbrook, Sarah M. and Strazar, Gregor (2001) ‘A collective stereographic photo essay on key aspects of animal companionship: the truth about dogs and cats’ in Academy of Marketing Science Review, 2001:1 http://www.amsreview.org/articles/holbrook01-2001.pdf

Holbrook, Morris B. and Schindler, Robert M. (2003) ‘Nostalgic bonding: exploring the role of nostalgia in the consumption experience’ in Journal of Consumer Behaviour,3:2, pp.107-127. http://dx.doi.org/10.1002/cb.127

Yim, Mark Yi-Cheon, Cicchirillo, Vincent J. and Drumwright, Minette E. (2012) ‘The impact of stereoscopic three-dimensional (3-D) advertising: the role of presence in enhancing advertising effectiveness’, in Journal of Advertising, 41:2, pp.113-128. http://dx.doi.org/10.2753/JOA0091-3367410208