Stereoscopic design signals Hugo’s socially isolated state during the early moments of Hugo (Scorsese, 2011) At the recent 3D Creative Summit at the BFI in London, a recurrent theme amongst the practitioners I saw […]
Given the number of established and emerging scholars engaging with stereoscopic media at recent SCMS and 3D Storytelling conferences, I find myself moved to ask what direction this new field is currently moving in, what […]
‘…the work of the film actor must be constructed with the distinction that the actor moves not along the surface of the screen, but in a three-dimensional space in the studio or outdoors.’ Lev […]
2011 saw the release of two 3D documentaries into art house theatres: Werner Herzog’s Herzog’s lyrical and awe-filled film about the prehistoric Chauvet cave paintings in France, Cave of Forgotten Dreams (pictured above) and Wim […]
Stereoscopic cinema and new media ask us to consider the screen; not just the screen in the movie-theatre auditorium but also the hard-bodied screens of the computer monitor, television set and hand-held devices that all […]
Cinema’s history – the history of the medium that spans more than a century – is a curious conflation of the technological, the aesthetic, and the affective. Lumiére’s early images of life’s modernity were […]
In 1838 Charles Wheatstone announced his invention of stereoscopy. Wheatstone’s stereoscope did not gain mass popular attention, however, and the story of its eventual market development is now well documented as one of the […]